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"Über das Geistige in der Kunst" von Wassily Kandinsky. Kandiskys Bruch mit der naturalistischen Tradition

"Über das Geistige in der Kunst" von Wassily Kandinsky. Kandiskys Bruch mit der naturalistischen Tradition

          
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About the Book

Studienarbeit aus dem Jahr 2006 im Fachbereich Theologie - Sonstiges, Note: 2,3, Freie Universität Berlin (Katholische Theologie), Veranstaltung: Spuren des Religiösen in zeitgenössischer Literatur und Kunst, Sprache: Deutsch, Abstract: Kandinskys abstrakte Malerei kann schnell nur als eine Zusammenführung irgendwelcher farbiger Linien oder Flächen betrachtet werden. Manchen erscheint sie sogar als hässlich, sinnlos und geistlos. Man könnte vielleicht sogar so weit gehen und Abstraktion als eine Zerstörung des Lebendigen sehen. Kandinsky hingegen sieht in der abstrakten Kunst das Geistige und somit auch das Religiöse. Aber was genau meint Kandinsky mit abstrakt? Das Abstrakte bildet in seinen Ausführungen den Gegensatz zum Gegenständlichen. Er versteht darunter folglich eine gegenstandlose Kunst. "...je mehr die organische Form zurückgetrieben wird, desto mehr dieses Abstrakte von selbst in den Vordergrund tritt...". Allerdings definiert er den Begriff des Abstrakten nicht wirklich konkret. Es wird aber in seinen Ausführungen deutlich werden, dass er das Abstrakte für die wahre Realität hält. So soll seines Erachtens ein Kunstwerk nicht einfach nachahmen, sondern zu den geistigen Ursachen hinaufsteigen, aus denen die Natur stammt. Kandinsky brach also mit der naturalistischen Tradition. Er setzte einen neuen Maßstab, wobei nicht nur das als real und als absolut wahr erachtet wird, was man sehen und wissenschaftlich belegen kann, sondern das es noch etwas gibt, was darüber hinaus geht. Das Abstrakte könnte man hier auch eine Relativierung nennen oder eine Verschlüsselung des Gegenstandes. Für Kandinsky hat das Abstrakte "reine Formen", "reine Farben" und "reine Flächen" und somit impliziert das auch für ihn die "reine Schönheit". Er spricht hier auch von "reinen malerischen Mitteln", welche der Künstler für sein Werk verwendet. Das Reine meint hier das Konkrete, Definierte und Unvermischte. Die Farben sind immer in eine Form oder Fläche eingebettet und stets unifarb


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Product Details
  • ISBN-13: 9783640207190
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 2 mm
  • Width: 148 mm
  • ISBN-10: 364020719X
  • Publisher Date: 11 Nov 2008
  • Height: 210 mm
  • No of Pages: 30
  • Series Title: German
  • Weight: 50 gr


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