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Über Blindheit, Gedächtnis und Hand als Ermöglichung der Bild-Zeichnung bei Derrida

Über Blindheit, Gedächtnis und Hand als Ermöglichung der Bild-Zeichnung bei Derrida

          
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About the Book

Studienarbeit aus dem Jahr 2009 im Fachbereich Philosophie - Philosophie des 20. Jahrhunderts, Note: 1,3, Freie Universität Berlin (Philosophie), Veranstaltung: Seminar, Sprache: Deutsch, Abstract: Absicht vorliegender Arbeit ist es, Derridas phänomenologische Bildtheorie, wie er sie in den "Aufzeichnungen eines Blinden" (dt. 1997) hinsichtlich der Bild-Zeichnung entwickelt, in ihren wesentlichen Zügen zu erfassen. Allerdings muss diesbezüglich angemerkt werden, dass Derrida nicht explizit den Anspruch erhebt, eine phänomenologische Bildtheorie in seinem Text zu entwerfen, diese jedoch implizit dort enthalten ist. Sein Text lässt sich also als im Sinne einer Bildtheorie lesen. Eine grundlegende Frage, die im Laufe der Arbeit zu klären sein wird, lautet daher, wie bei Derrida die Bild-Zeichnung konstituiert wird. Hierzu schlägt er zwei Hypothesen vor: (1.) Der Zeichner oder die Zeichnerin ist blind. Und (2.) Die Zeichnung eines Blinden ist die Zeichnung eines Blinden. Diese beiden Hypothesen, die Derridas Text leiten, werde ich anhand ausgewählter Begriffe seiner Terminologie erläutern. Beispielhaft wären hier die transzendentale und die sakrifizielle Blindheit zu nennen, die für das Verständnis von Derridas phänomenologischer Bildposition wesentlich sind. Zudem möchte ich die These vertreten, dass die Theoreme Blindheit, Gedächtnis und Hand essentiell für Derridas Bildtheorie sind und ohne diese kein "Denken der Zeichnung" möglich ist. Des Weiteren möchte ich der Frage nachgehen, ob Derridas bildphänomenologische Aussagen auch als eine phänomenologische Ästhetik aufgefasst werden können. Handelt es sich hier also um eine "dekonstruktive" Ästhetik? Oder sollte man eher von einer "Ästhetik der Blindheit"(Nonnenmacher) bei Derrida sprechen? Vielleicht auch eine "Ästhetik der Abwesenheit" (Kamper)? Und in welchem Verhältnis würde diese zur traditionellen Ästhetik stehen? Diesem Fragenkomplex soll nachgegangen werden. Da Derrida sich in seinem Text auch mit anderen


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Product Details
  • ISBN-13: 9783668155602
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 2 mm
  • Width: 148 mm
  • ISBN-10: 3668155607
  • Publisher Date: 12 Apr 2016
  • Height: 210 mm
  • No of Pages: 30
  • Series Title: German
  • Weight: 54 gr


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