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Zwischen den Kulturen. Zur Transzendenz des Musikalischen von Orient und Okzident im Opus Wolfgang Amadeus Mozarts

Zwischen den Kulturen. Zur Transzendenz des Musikalischen von Orient und Okzident im Opus Wolfgang Amadeus Mozarts

          
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About the Book

Bachelorarbeit aus dem Jahr 2018 im Fachbereich Musik - Sonstiges, Note: 1,0, Westfälische Wilhelms-Universität Münster (Institut für Musikpädagogik), Sprache: Deutsch, Abstract: Wolfgang Amadeus Mozart (1756 - 1791) hat in seinem nur 35 Jahre währenden Leben ein Opus von ungeheurer Vielfalt geschaffen. Er hinterließ der Nachwelt ca. 600 vollendete Werke. Dazu sind noch weitere 160 Kompositionen fragmentarisch hinterlassen worden. Die vorliegende Arbeit nähert sich dieser Vielfalt des Mozart´schen Opus aus zwei Betrachtungswinkeln. Zunächst wird das Gesamtwerk Mozarts nach morgenländischen Einflüssen hin untersucht. Hierbei liegt der Schwerpunkt der Untersuchung auf der Militärmusik des Osmanischen Reiches, der so genannten "Janitscharen-Musik". In welcher Form und in welchem Ausmaß sich Mozart durch diese Einflüsse inspirieren ließ, soll anhand ausgewählter Beispiele aus seinem Opus dargelegt werden. Dieser Abgleich soll dann zur Klärung der Frage führen, ob Mozarts Verwendung türkischer Elemente Ausdruck eines transkulturellen Austauschs auf musikalischer Ebene darstellt. Dadurch wird die Frage nach der Authentizität des türkischen Kolorits in den Kompositionen Mozarts aufgeworfen. Das Genie Mozarts wird unter dem Aspekt der Vielfalt besonders deutlich. Aus diesem Grund wird der Blickwinkel auf das Mozart ´sche Opus im zweiten Teil dieser Arbeit auf die vermeintlich gegensätzliche Erfahrungswelt gelegt: dem christlich geprägten Abendland, auch bekannt als Okzident. Mozarts Wirken ist ohne die musikalische Tradition des Abendlandes nicht gänzlich zu erfassen. Diese Tradition spiegelt sich vor allem in der christlichen Kirchenmusik wieder. Auch in diesem Umfeld tat sich Mozart mit herausragenden Kompositionen als "beispielloses Ausnahmetalent" hervor. Diese Arbeit fragt in diesem Zusammenhang vor allem nach der Einordnung des Mozart ´schen Genies in den musikhistorischen Kontext. Grundlage hierfür bildet das letzte von Mozart geschriebene Werk, sein Requiem d-Moll


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Product Details
  • ISBN-13: 9783668896109
  • Publisher: Bod Third Party Titles
  • Publisher Imprint: Grin Verlag
  • Height: 210 mm
  • No of Pages: 52
  • Spine Width: 3 mm
  • Width: 148 mm
  • ISBN-10: 3668896100
  • Publisher Date: 01 Mar 2019
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Weight: 82 gr


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