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Zur Philosophie des Films - Ein Diskurs: Im Besonderen zum Verhältnis des Films und des Zuschauers

Zur Philosophie des Films - Ein Diskurs: Im Besonderen zum Verhältnis des Films und des Zuschauers

          
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About the Book

Studienarbeit aus dem Jahr 2009 im Fachbereich Philosophie - Philosophie des 20. Jahrhunderts, Note: 2,7, Johannes Gutenberg-Universität Mainz (Philosophische Fakultät), Veranstaltung: Film und Philosophie: Philosophische Theorien, filmisches Philosophieren und reine Spekulation., Sprache: Deutsch, Abstract: Die Filmphilosophie oder Philosophie des Films ist eine noch junge Teildisziplin der Philosophie. In ihr wird häufig der Versuch unternommen, einzelne Filme ästhetisch auszuwerten und ihnen ästhetische Werte zu geben. Die Ästhetik des Films stellt einen weiteren Bereich der Ästhetik dar und es gilt in diesem Bereich spezifische Begrifflichkeiten und Eigenheiten des Films zu entwickeln und zu entdecken. Der Film hebt sich von den anderen Kunstwerken, die Gegenstand der philosophischen Ästhetik sind, ab, da in ihm die verschiedensten Wahrnehmungen und Wahrnehmungsmöglichkeiten kombiniert werden oder kombiniert werden können. Dies macht eine Ästhetik des Films unweigerlich komplizierter oder auch kontrastreicher als andere Künste oder Wahrnehmungen. In der folgenden Arbeit soll versucht werden, sich mit der spezifischen Ästhetik des Films, im Besonderen mit seiner Abbildung der Welt und die Rolle des Zuschauers, auseinandersetzen. Hierbei soll zunächst verdeutlicht werden, was überhaupt eine Philosophie des Films ist. Deshalb wird auch die Entwicklung der Filmphilosophie betrachtet, um eine Einordnung der historischen philosophischen Auseinandersetzung mit dem Medium Film zu ermöglichen. Des Weiteren soll im Rahmen der Darstellungen einiger philosophischer Filmtheorien ein genauerer Blick auf den französischen Philosophen Jacques Rancière geworfen werden, der sich neben der politischen Philosophie mit der Ästhetik beschäftigt und hierbei sein Augenmerk auch auf die Ästhetik des Films legt. Es wird der Versuch unternommen, die Filmästhetik Rancières darzustellen. Anschließend soll kurz in die philosophische Ästhetik eingeführt und die spezifische Ästhetik des Film


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Product Details
  • ISBN-13: 9783640972807
  • Publisher: Grin Verlag
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 4 mm
  • Weight: 91 gr
  • ISBN-10: 3640972805
  • Publisher Date: 02 Aug 2011
  • Height: 210 mm
  • No of Pages: 60
  • Series Title: German
  • Sub Title: Im Besonderen zum Verhältnis des Films und des Zuschauers
  • Width: 148 mm


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