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Zur Kritik Der Reden Des Demosthenes: Erste Rede Gegen Philippos (Schluss) Nebst Einem Anhang (Classic Reprint)

Zur Kritik Der Reden Des Demosthenes: Erste Rede Gegen Philippos (Schluss) Nebst Einem Anhang (Classic Reprint)

          
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Excerpt from Zur Kritik der Reden des Demosthenes: Erste Rede Gegen Philippos (Schluss) Nebst Einem Anhang

Man erkennt das Wesen der Demosthenischen Redekunst durchaus noch nicht, wenn man bloss den Inhalt der Worte und die Sprache im allgemeinen berücksichtigt. Das Erstaun liche liegt in der kunstvollen, man mag auch sagen, gekünstelten Form der Reden. Plutarch berichtet ja auch Demosth. 6, das Volk habe im Anfang Demosthenes' Redeweise als überkünstelt nicht vertragen können. Er aber war der Ansicht, die Rede müsste nicht nur konzipiert, sondern, wenn möglich, ausgemeisselt sein. Er glaubte, wie Dionysios sagt, nicht hinter Malern und Metallarbeitern zurückbleiben zu durfen, welche auf die Adern und Federchen und den Flaum und derartige Kleinigkeiten Fleiss und Mühe verschwendeten. Demosthenes' Reden waren poetische Prosa. Es herrscht in denselben eine rhythmische und symmetrische Gliederung wie in einem Chorgesang mit oft ganz genauer Silbenmessung und Responsion der einzelnen Sätze. Rhythmus und Symmetrie dürfen aber nur gesucht und festgestellt werden auf Grund der Einteilung in Kola. Blass giebt im Anhang seines Buches (die att. Beredsamkeit III', 1 S 590 - 642) eine solche Einteilung der I. Olynthischen, der III. Philippischen und der Rede rt dzscpoivov von 5 1 - 17. In den Anmerkungen wird dann Rhythmus und Symmetrie nachgewiesen. Es ist das der erste Versuch, diese Seite der Demösthenischen Beredsamkeit vom systematischen Stand punkte darzustellen, während im kritischen Kommentar der editio maior der Gegenstand nur mehr apomdisch und an einzelnen Beispielen zur Behandlung kommt. Dass Demosthenes selbst seine Reden in o'n'xoo eingeteilt, kann nach dem, was Blass' über die Schrift des Byzantiners Pseudo Kastor use) érrcoqmdiv sagt, nicht mehr bezweifelt werden. Dieser Rhetor hatte selbst, was freilich nicht mehr erhalten ist, in Ã?bereinstimmung wie er sagt, mit der in den alten Handschriften beigeschriebenen und vom Redner selbst herrührenden Zahl der 0'flxm die ganze Rede gegen Philipps Brief in Kola zerlegt. Blass giebt nun S. 113 ff. Die Hilfsmittel an, durch welche die Einteilung gefunden werden kann. Ausser Hiatus und syllaba anceps ist haupt sächlich der Rhythmus ein trennendes Moment. Da wo ein bestimmter Rhythmus aufhört, schliesst in der Regel auch das Kolon, und die einzelnen Kola sind durch den gleichen oder ähnlichen Rhythmus verbunden. Sie verhalten sich oft zu einander wie die Verse der o'rpopé und a'wu0'rgogni im Chorgesang. Die Sache ist nun aber nicht so, dass immer ein ganzes Kolon einem andern im Rhythmus entspricht, sondern es sind öfter nur einzelne Teile des einen, die dem andern entsprechen. Die Responsion ist also häufig nur partiell, aber eine Entsprechung findet fast immer statt. Im Folgenden ist der Versuch gemacht, die Rede xaza'z d>rlimrov A (von 5 33 bis Schluss) nach Kola und im Zusammenhang damit rhythmisch zu zergliedern.

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Product Details
  • ISBN-13: 9781396397905
  • Publisher: Forgotten Books
  • Publisher Imprint: Forgotten Books
  • ISBN-10: 1396397906
  • Publisher Date: 25 Sep 2018


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