'Dark, compelling and truly memorable. Foster is one of my favourite writers.' Dervla McTiernan, author of The Ruin
'With richly drawn characters and a tight, deftly handled plot, You Don't Know Me is a propulsive, dark and mysterious thriller.' Christian White, bestselling author of The Nowhere Child
'This book has it all: a gripping opening, characters I cared deeply for, a compelling mystery and heart-stopping pace. I couldn't put it down. This is Sara Foster's best book yet.' Natasha Lester, bestselling author of The Paris SeamstressLizzie Burdett was eighteen when she vanished. Noah Carruso has never forgotten her: she was his first crush; his unrequited love. She was also his brother's girlfriend.
Tom Carruso hasn't been home in over a decade. He left soon after Lizzie disappeared, under a darkening cloud of suspicion. Now he's coming home for the inquest into Lizzie's death, intent on telling his side of the story for the first time.
As the inquest looms, Noah meets Alice Pryce while on holiday in Thailand. They fall in love fast and hard, but Noah can't bear to tell Alice his deepest fears. And Alice is equally stricken, for she carries a terrible secret of her own.
He's guarding a dark secret, but so is she.
REVIEWS
'A compelling, layered thriller with beautifully drawn characters.' Sarah Bailey, author of the Gemma Woodstock series
'Proves yet again that Sara Foster is a writer at the top of her game. A compelling story of secrets, lies, and heartache.' Emma Visckic, award-winning author of And Fire Came Down and Resurrection Bay
'Gripping, emotional and fast paced. Everything you could want in a suspense novel. I just loved it!' Tess Woods, author of Beautiful, Messy Love and Love and Other Battles
PRAISE FOR SARA FOSTER
'A writer at the top of her game.' Emma Viskic
'... an enthralling mystery full of secrets determined to resurface ... will keep readers guessing to the end.' Jane Harper, New York Times bestseller
'Effortless suspense and dramatic power.' Sydney Morning Herald
'Classic suspense but with a wonderful modern edge.' Hannah Richell
