"Glasses" is an 1896 short story by Henry James. A young woman whose only asset is a supremely beautiful face is about to make a society marriage until her fiancé discovers that, being virtually blind, she needs thick glasses which ruin her looks.

The anonymous narrator, a bachelor artist, visits Folkestone and sees a young woman with an astonishly beautiful face. From a friend, the widowed Mrs Meldrum who has to wear disfiguring glasses, he learns that she is Flora Saunt, an orphan. She has an admirer in Lord Iffield, heir to a country estate but not very bright. Another admirer, also well off, is Geoffrey Dawling, who is intelligent and sympathetic but not good looking.

Flora agrees to sit for a portrait by the narrator, who discovers that, having little money or brain, her only goal in life is to acquire a husband. After she succeeds in getting engaged to Iffield, the narrator sees the two in a London shop where, to inspect an item, she surreptitiously uses a pince-nez. Momentarily, the beauty of her face is ruined. Revisiting Folkestone later, in the distance he sees a woman in corrective glasses who he takes to be Mrs Meldrum. In fact, to the embarrassment of both, it is Flora. Dropped by Iffield when he realised her sight was failing, she has been given a home by the kindly Mrs Meldrum.

Some time later in London, the narrator attends a performance of Lohengrin. In a box, he sees a beautiful woman wearing expensive jewels who he thinks must be Flora. She points her opera glasses at him and smiles. Going up to her box and kissing her hand in greeting, he realises she is now blind. Geoffrey, her loving husband whose lack of looks she cannot see, rejoins the two.

Hawthorne is a book of literary criticism by Henry James published in 1879. The book was an insightful study of James' great predecessor Nathaniel Hawthorne. James gave extended consideration to each of Hawthorne's novels and a selection of his short stories. He also reviewed Hawthorne's life and some of his nonfiction. The book became somewhat controversial for a famous section where James enumerated the items of novelistic interest he thought were absent from American life.

This is the only book-length study James wrote about a fellow novelist, and it is not surprising he picked Hawthorne for such extended treatment. The tradition Hawthorne began in American literature - the morally intense exploration of the universality of guilt and the ambiguities of human choice - was clearly carried on by James.

Although James expressed misgivings about some of Hawthorne's more extravagant symbolism and heavy reliance on allegory, he shared his predecessor's constant interest in moral quandaries, divided loyalties, and the inevitable conflicts between imaginative protagonists and intractable reality. James also shared Hawthorne's passion for careful craftmanship and thorough, unsparing analysis of character.

James' ranking of Hawthorne's novels, from The Scarlet Letter down to The Marble Faun, has generally been accepted by later critics. Although James, at least in his earlier work, was more of a consistent realist than Hawthorne, the later novelist's work always betrays the influence of his predecessor's tendency towards metaphorical expression. In James' final novels such as The Golden Bowl, this influence becomes even more pronounced in extended metaphor and complex symbolism.