The primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge. Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page. In its graphic innovations and restless shape-shifting, Unflattening is meant to counteract the type of narrow, rigid thinking that Sousanis calls ?flatness.? Just as the two-dimensional inhabitants of Edwin A. Abbott?s novella Flatland could not fathom the concept of ?upwards,? Sousanis says, we are often unable to see past the boundaries of our current frame of mind. Fusing words and images to produce new forms of knowledge, Unflattening teaches us how to access modes of understanding beyond what we normally apprehend. Review ?Nick Sousanis?s Unflattening is a complex, beautiful, delirious meditation on just about everything under the sun; a unique and bracing read.??Scott McCloud, author of Understanding Comics and Making Comics ?Nick Sousanis?s Unflattening is a genuine oddity, a philosophical treatise in comics form. ?Flatness,? for Sousanis?s purposes, is not the quality of abstraction that Clement Greenberg lauded in modern art, but the lamentable condition of the inhabitants of Edwin A. Abbott?s ?Flatland?: the inability to understand that there might be more than one can immediately perceive. The solution he proposes is admitting visual elements, and especially drawings, into the intellectual domain of language. (Psst?he?s talking about comics!)?? Douglas Wolk, New York Times Book Review ?Ranging across a wide range of disciplines?the arts, the sciences, popular culture, critical theory?Sousanis argues that the verbal and the visual are inextricably entwined in the production of knowledge? It is a book that is dense with the syntheses of ideas, nimble, far-reaching and impossible to summarize. It liberates itself from the standard layout of panels within frames, teaching the eye and mind to read the unfailingly intelligent black-and-white artwork in unconventional and new ways. Unflattening deserves a place as a compulsory textbook in schools.??Neel Mukherjee, New Statesman ?Although the implications are profound, Unflattening is less an insurrection than a carefully argued case for rethinking our priorities about art and learning. Unflattening is above all a humane piece of scholarship which challenges our assumptions about perception.??Matt Finch, Brooklyn Rail ?If you prefer your mind-melt, dimension-bending comics with less costumes and melodrama, Nick Sousanis? cerebral exploration of psychology and perspective offers a refreshing palate cleanser? Presented with a visual vocabulary that will blow readers minds in the most scholarly way possible.??Sean Edgar, Paste ?Sousanis?s drawings are first rate and his writing style economical. To demonstrate how introducing new vantage points expands our thinking, he explores a range of philosophical concepts, calling on Plato, Copernicus, and even the ?fifth dimension? explored in the TV series The Twilight Zone.?? Jan Gardner, Boston Globe ?If Scott McCloud?s Under