Ukulele Land

Ukulele Land

          
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About the Book

FROM THE REVIEWS OF THE 2008 STAGE PRODUCTION: ". . . this show is this year's jewel in the crown . . . A fast 90 minutes . . . charms with ease, rightly wearing its limited ambitions as a badge of honor: to provide a little entertainment in a troubled world." Christopher Murray, Back Stage "It has been a very long time since I've had as much fun at a musical as I had at [Ukulele Land]. I was also unexpectedly touched. And I was thrilled . . . . we can't help but listen and, perhaps, become enlightened and enlarged . . The plot effectively reminds us of the need to be true to ourselves and to question any kind of arbitrary authority, without ever feeling polemical or hackneyed and certainly without resorting to either irony or scare tactics. The activist spirit . . . is strong and authentic, yet it is very gentle. . . . the sometimes pointed, sometimes poetic, always honest lyrics by Jackson, are charming and infectious." Martin Denton, nytheatre.com " The show is set against the backdrop of a pharmacological dystopia in which The Corporation mandates people take drugs for ailments like sexual desire and the Love Police hunt down illegal monogamous lovers. . . . The mash-up commentary on our overmedicated culture, corporate dominance and ignorance of love and art is a big mandate for the play. Lines like "If this ain't love, Jesse James was a girl" and "Chemical emancipation - that's the new gyration" punctuate its songs with a goofiness that relieves some of that burden. . . . the playful strumming and the endearing innocence of the characters, who dub sex with a loved one 'monogomation', left a mostly optimistic feeling . . . And damned if I wasn't whistling the kitschy, plucky refrain on my way out of the theater." "...take a blue bit of sky, put it in your pocket..." Emily Meredith, NYPress.com
About the Author: Uke Jackson is a playwright, journalist, broadcaster and musician. His plays have been produced in different theaters in downtown Manhattan. In addition to the musical "Ukulele Land" his dramatic writing includes "Monster Time"; "The Secret Warhol Rituals"; and "Avenue Z Afternoon" which he adapted for a GM Mark of Excellence television production. His first play written as an adult, "Dristi Magic" a one act, was staged by the McCarter Theater Street Theater unit. Over the years, he contributed short stories, essays and articles to magazines and newspapers across America, including the Miami Herald Sunday Magazine, NY Daily News, Philadelphia Inquirer, Berkeley Barb, Smithsonian, Travel & Leisure, and others. For many years, his light verse was a frequent feature in the NY Times. During the 1980s he was a driving force behind several of the Plexus jazz art operas that were presented in Manhattan, Rome, Sardinia, and Dakar. He also directs and he provides confidential script consulting services. He founded the NY Uke Fest in 2006, as well as the NY Ukulele ensemble. His popular "Flaming Ukulele Radio Hour" was broadcast on public radio from 2001 thru 2006. His "River Tales" -- a radio storytelling series -- was heard on nearly 200 public radio stations and won a Parents Choice Award, as well as leading to him being named one of the Top 10 recording artists in the country, according to the American Library Association. Currently, in addition to his writing, he leads a quirky group of musicians -- Uke Jackson and the Ginseng Roots Band -- up and down the Delaware River Valley, playing anywhere from community bandstands to crossroads cafes to cosmopolitan cabarets, from farmers markets to festival main stages. Further info is always available on his web site www.ukejackson.com


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Product Details
  • ISBN-13: 9780615433059
  • Publisher: Uke Jackson Entertainment
  • Publisher Imprint: Uke Jackson Entertainment
  • Height: 203 mm
  • No of Pages: 80
  • Series Title: English
  • Weight: 100 gr
  • ISBN-10: 0615433057
  • Publisher Date: 01 Feb 2011
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Spine Width: 5 mm
  • Width: 133 mm


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