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Técnicas de memorización en el aprendizaje pianístico: De la lectura a la ejecución

Técnicas de memorización en el aprendizaje pianístico: De la lectura a la ejecución

          
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About the Book

De la lectura a la ejecución. Técnicas de memorización en el aprendizaje pianístico es un trabajo que invita al instrumentista a acceder a sus propias técnicas de convivencia con el teclado. Presenta un enfoque amplio, pedagógico actual, técnico y filosófico.

Reúne la síntesis y la metodología. La aplicación necesaria y el disfrute de aprehender las obras musicales y el instrumento en toda su dimensión. Se trata de una forma de entender la música tanto desde la componente motriz como intelectual.

EDITORIAL MELOS ARGENTINA.

Este libro contiene el desarrollo de los siguientes temas:

Presentación.
Introducción .
PRIMERA PARTE. 1.
Consideraciones generales.

1.1. Un poco de historia y algunas observaciones. 1.2. La "tenuta". 1.3. Reflexión. 1.4. Saber que sabemos. 1.5. La actitud. 1.6. ¿Por qué? 1.7. Rápido es mejor.

2. Las tres fases. 2.1. Síntesis. 2.2. Breve descripción. 2.3. Vayamos un poco más a fondo. 2.4. ¿Loro u homo pianisticus? 2.5. Pregunta fundamental. 2.6. ¿Círculo vicioso o círculo virtuoso? 2.7. Programas de estudio. 2.8. ¡300 minutos! 2.9. Leer es memorizar.

3. Los cuatro tipos de memoria 3.1. Preámbulo (1). 3.2. Preámbulo (2). 3.3. Síntesis. 3.4. Mind-building. 3.5. Memoria auditiva. 3.5.1. Memoria auditiva rítmica. 3.5.2. Memoria auditiva melódica. 3.5.3. Memoria auditiva armónica. 3.6. Memoria analítica. 3.7. Memoria visual. 3.7.1. Memoria visual del teclado. 3.7.2. Memoria visual de la partitura. 3.8. Memoria física. 3.8.1. Técnica pianística. 3.8.2. Memoria propioceptiva. 3.9. ¿De qué memoria eres? (1). 3.10. ¿De qué memoria eres? (2).

4. Esquemas de recapitulación .

SEGUNDA PARTE.

5. Fase I - Aprendizaje. 5.1. Fase I - Aprendizaje. 5.2. ¡Rápido!.

6. Fase II (1) - Consolidación. 6.1. Consolidación. 6.2. Un principio. 6.3. Ejercicios. 6.3.1. Repeticiones. 6.3.2. Tiempo mental y tiempo físico. 6.4. Un experimento interesante.

7. Fase II (2) - Ejercicios. 7.1. Cantar. 7.2. El mismo ejercicio en otra tonalidad. 7.3. Tocar una melodía con un solo dedo o con la otra mano. 7.4. El mismo ejercicio en otra tonalidad. 7.5. Melodías a manos alternadas. 7.6. Melodías tocadas con un solo dedo. 7.7. Reducción armónica. 7.8. El mismo ejercicio en otra tonalidad. 7.9. Análisis formal. 7.10. Transcripción de memoria. 7.11. El mismo ejercicio en otra tonalidad. 7.12. ¡Digitación! 7.13. Tocar sobre una mesa. 7.14. Técnica pianística. 7.15. Manos separadas. 7.16. Repaso mental.

8. Fase III - Ejecución! 8.1. ¡Ejecución! 8.2. El desfase.

9. Buena o mala memoria. 9.1. ¡Una sola vez! 9.2. Un precioso aliado. 9.3. Somos memorias. 10. Otros tipos de memoria.

10.1. Memoria emotiva. 10.2. Memoria nominal. 10.3. Memoria conceptual. 10.4. Memoria táctil. 11.

Conclusión.

Anotaciones.

Agradecimientos.

Sugerencias biobibliográficas.

Con este libro usted podrá desarrollar su potencial para la memorización musical.

¡Compre ya este libro y comience a conocer en profundidad diferentes técnicas para el aprendizaje de métodos para aprender a entrenar la memoria!


TAGS: Melos, Música, piano, memoria emotiva, ejercicios musicales, Pentagrama, Acordes.


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Product Details
  • ISBN-13: 9798669923549
  • Publisher: Independently Published
  • Publisher Imprint: Independently Published
  • Height: 279 mm
  • No of Pages: 76
  • Series Title: Piano, Tecnica, Metodos, Partituras Desde Inicial a Profesional
  • Sub Title: De la lectura a la ejecución
  • Width: 216 mm
  • ISBN-10: 8669923548
  • Publisher Date: 27 Jul 2020
  • Binding: Paperback
  • Language: Spanish
  • Returnable: N
  • Spine Width: 4 mm
  • Weight: 199 gr


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