Chapter 1: From Mobile Crimes to Crimes of Mobility
Maarit Piipponen, Helen Mäntymäki and Marinella Rodi-Risberg
PART 1: Crime on the Move: Transnational Crime and Global Capitalism
Chapter 2: Transnational Crime in Deon Meyer's Devil's Peak and Santiago Gamboa's Night Prayers
Sam Naidu
Chapter 3: Temporal, (Trans)national and Human Mobility in María Inés Krimer's Kosher Trilogy
Carolina Miranda
Chapter 4: Abdelilah Hamdouchi's Whitefly: Transnational Crime, Globalisation and the Arabic Police Procedural
Colette Guldimann
Chapter 5: Systemic Violence in the Borderlands: Anthony J. Quinn's Border Angels and Alicia Gaspar de Alba's Desert Blood
Eoin D. McCarney
Chapter 6: Transnational Female Sex Trafficking in Naia Marie Aidt's "Women in Copenhagen," Matt Johnson's Deadly Game, and Stuart Neville's Stolen Souls
Charlotte Beyer
PART 2: Historicising Mobility and Agency
Chapter 7: The Socially Mobile Female in Victorian and Neo-Victorian Mysteries
Meghan P. Nolan
Chapter 8: Liminal Spaces in Laurie R. King's Touchstone and Keeping Watch
Mary Ann Gillies
Chapter 9: Urban Mobility and Technology in Carlo Lucarelli's Almost Blue
Barbara Pezzotti
Chapter 10: Crime and Detection in a Virtually Mobile World: Tom Hillenbrand's Drohnenland
Heike Henderson
PART 3: Genre Borderlands: Generic Mobility and Hybridisation
Chapter 11: Criminal/Liminal/Seminal: Nordic Border Crossings and Crossers in Contemporary Geopolitical Television
Robert A. Saunders
Chapter 12: Across National, Cultural and Ethnic Borders: The Detectives in Olivier Truc's Reindeer Police Series
Andrea Hynynen
Chapter 13: Splatter Horror Crime: Crossing Medial Borders in Jo Nesbø's The Snowman
Niklas Salmose
Chapter 14: Affective Estrangement and Ecological Destruction in TV Crime Series Fortitude
Aino-Kaisa Koistinen and Helen Mäntymäki
Chapter 15: Sophie Hannah's Hurting Distance as Crime Trauma Fiction
Marinella Rodi-Risberg
