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Tours de force - Die Ästhetik des Grotesken in der französischen Pantomime des 19. Jahrhunderts

Tours de force - Die Ästhetik des Grotesken in der französischen Pantomime des 19. Jahrhunderts

          
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About the Book

Die französische Pantomime des 19. Jahrhunderts, ihres Zeichens eine von den Romantikern und der avancierten Kritik gefeierte Spektakelkunst, zeichnete sich durch ihre Affinität zu den Motiven der Gewalt und des Schrecklichen aus. Dieser spezifische Doublebind von komischer Unterhaltung und Prekärem machte sie zum Paradefall einer modernen Ästhetik, die - unter dem Signum des Grotesken - das Hässliche zu ihrer zentralen Kategorie aufwertete, indem sie es zum Garanten ästhetischer Lust umdefinierte.

Vorliegende Arbeit versucht entsprechend, beiden thematischen Aspekten gleichermaßen gerecht zu werden: der Pantomimenkunst und dem Primat der Deformation als eines Epochenspezifikums. Zur Erschließung des im Grotesken zu Tage tretenden Problemgehalts und vor allem zur Veranschaulichung des in ihm angelegten ästhetischen und theatralen Potenzials werden Zentraldokumente des zeitgenössischen europäischen Diskurses analysiert. Der dermaßen im Hinblick auf das Kriterium der ästhetischen Modernität erschlossene Begriff des Grotesken bestimmt die Untersuchung der genuin theatralen Qualitäten des stummen Körperspiels: Insbesondere seine im Verlauf des Jahrhunderts zunehmende Entgrenzung auf die Thematiken des Grausamen, Mörderischen und Bösen wird damit nicht nur als Entdeckung der performativen Qualitäten des pantomimisch bewegten Körpers, sondern als versuchte Freisetzung der Gewaltdimension ästhetischer Transformation schlechthin lesbar.


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Product Details
  • ISBN-13: 9783484660519
  • Publisher: De Gruyter
  • Publisher Imprint: de Gruyter
  • Height: 234 mm
  • No of Pages: 412
  • Series Title: Theatron
  • Weight: 757 gr
  • ISBN-10: 3484660511
  • Publisher Date: 01 Jan 2007
  • Binding: Hardback
  • Language: German
  • Returnable: Y
  • Spine Width: 24 mm
  • Width: 156 mm


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