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Todesdarstellungen in Katastrophenfilmen der 1970er Jahre: Am Beispiel von "Airport", "Earthquake" und "The Towering Inferno"

Todesdarstellungen in Katastrophenfilmen der 1970er Jahre: Am Beispiel von "Airport", "Earthquake" und "The Towering Inferno"

          
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About the Book

Studienarbeit aus dem Jahr 2022 im Fachbereich Filmwissenschaft, Note: 1,7, Johannes Gutenberg-Universität Mainz, Sprache: Deutsch, Abstract: Ich möchte mich in dieser Hausarbeit den Fragen widmen, wer in den Filmen die Akteure des Todes im Konflikt zwischen Mensch, Kultur, Natur und Technologie sind und wie der Tod im Allgemeinen dargestellt wird. Um dies herauszufinden, werden exemplarisch drei Filme ausgewählt, da sie drei verschiedene Arten von Katastrophen behandeln: THE TOWERING INFERNO (FLAMMENDES INFERNO; USA 1974), AIRPORT (USA 1970) und EARTHQUAKE (ERDBEBEN; USA 1974). Die Hausarbeit hat zum Ziel, die Betrachtungswürdigkeit dieses Genres für die Filmwissenschaft offenzulegen, damit es nicht mehr hinter seiner kommerziellen Fassade verschwindet. Zu Beginn der Hausarbeit wird der Katastrophenfilm generell definiert und skizzenhaft seine historische Entwicklung von den Anfängen des Bewegtbildes bis heute dargestellt. Danach werden kurz die Inhalte der Filme erläutert. Anschließend werde ich mich damit auseinandersetzen, wer die Akteure des Todes sind, da dieser Sachverhalt nicht so eindeutig ist, wie es die Filme auf den ersten Blick vermitteln mögen. Des Weiteren wird beleuchtet, wie im Zuge des fiktiven und spektakulären Katastrophenszenarios der Tod (von Figuren) dargestellt oder gerade nicht dargestellt und welches Bild von Tod dabei den ZuschauerInnen vermittelt wird. Der Tod war im amerikanischen Kino der 1960er und 1970er Jahre allgegenwärtig. Es war die Zeit des New Hollywoods. In BONNIE AND CLYDE (BONNIE UND CLYDE; USA 1967) werden die beiden titelgebenden Protagonisten im Finale des Films, das wie ein Todesballett anmutet, von hunderten Kugeln in Zeitlupe erschossen. Und in TAXI DRIVER (USA 1976) begibt sich Travis Bickle (Robert DeNiro) auf einen mörderischen Vergeltungszug. Doch parallel lief in den Kinos etwas, mit dem man in dieser Zeit vielleicht nicht rechnen würde: teure High-Concept-Filme mit Starbesetzung und Spezialeffekt-Exzessen, welch


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Product Details
  • ISBN-13: 9783346728845
  • Publisher: Bod Third Party Titles
  • Publisher Imprint: Grin Verlag
  • Height: 210 mm
  • No of Pages: 22
  • Spine Width: 1 mm
  • Weight: 41 gr
  • ISBN-10: 3346728846
  • Publisher Date: 04 Sep 2022
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Sub Title: Am Beispiel von "Airport", "Earthquake" und "The Towering Inferno"
  • Width: 148 mm


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