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Teatro de la Palabra / Teatr Slowa

Teatro de la Palabra / Teatr Slowa

          
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About the Book

La palabra es siempre un contenedor de fragmentos de vida. En ocasiones tiene trascendencia, en otras se diluye por el paso de lo efímero, de lo transitorio. Samuel Beckett ya había dicho con bastante firmeza qué haría sin el silencio fosa de los murmullos. No obstante, no significa ello que el destino último de esta/ella sea la búsqueda de la palabra cómoda, la palabra que afirma la seguridad ante todo. El Teatro de la palabra de Araceli Mariel Arreche indaga en el fondo de otras discursividades, más pedregosas, írritas, textos inconclusos, incómodos. El teatro, a su vez, se compone fundamentalmente de palabra y cuerpo, palabra y sujeto, palabra y memoria. En estas piezas de Araceli Mariel Arreche todos sus elementos están conjugados para fundirse en densas metáforas que atinan a una requisitoria más fina, más delicada, más profunda, antes que a una ya tan virtualmente conocida. Los cuerpos/personajes de Arreche viven y mueren, recuerdan y olvidan, son y dejan de ser, aparecen y desaparecen bajo un espectro que nos convida a preguntarnos a nosotros mismo por ese obscuro objeto de(l) deseo aquel que nace de ella, pero que también en ella perece.
About the Author: Araceli Mariel Arreche. Dramaturga y Licenciada en Artes de la Universidad de Buenos Aires. Se desempeña como Profesora universitaria en el área de Cine y Teatro en la Universidad de Buenos Aires (UBA), en la Universidad Nacional de Artes (UNA) y en la Universidad Nacional de San Martín (UNSAM) entre otras. Cursa su doctorado en el área de Teoría del Cine de la Secretaría de Investigaciones en Ciencia y Técnica (SICyT) de la Facultad de Arquitectura, Diseño y Urbanismo de la Universidad de Buenos Aires. De las investigaciones que ha llevado adelante se destacan sus trabajos acerca de la teatralidad mapuche, en problemas sobre las dramaturgias del teatro de la postdictadura, y en relación a las políticas de la imagen en torno a la representación de la Memoria y la Identidad en el cine argentino del nuevo siglo. Entre sus últimos libros se encuentran: CUERPOS A LA INTEMPERIE I y II. Fondos documentales sobre el Teatro Callejero de Grupos; y Palabras en diálogo. La lectura puesta en acto. En el 2005 fue mención especial en España por el premio María Teresa León a la dramaturgia femenina por su obra Notas que saben a olvido (pieza estrenada en el Teatro Payró en diciembre del mismo año). En el 2010 recibió la Beca de Creación del Fondo Nacional de las Artes por el proyecto: "Voces de la historia, vientres de la memoria". En 2014 es galardonada en el Concurso de Dramaturgia Nuestro Teatro, en el Ciclo de obras en conmemoración al Movimiento histórico Teatro Abierto, en el teatro Picadero, organizado por la Secretaría de Cultura de la Nación, por la pieza Qué lejos aún... Con su obra Como Quinoas es elegida para participar del Women Playwrights International Conference en Ciudad del Cabo, Sudáfrica, en 2015.


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Product Details
  • ISBN-13: 9788393311538
  • Publisher: La Campana Sumergida Editorial
  • Publisher Imprint: La Campana Sumergida Editorial
  • Height: 254 mm
  • No of Pages: 330
  • Series Title: Spanish
  • Weight: 571 gr
  • ISBN-10: 8393311535
  • Publisher Date: 10 Apr 2015
  • Binding: Paperback
  • Language: Spanish
  • Returnable: N
  • Spine Width: 18 mm
  • Width: 178 mm


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