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The Song From Ocean: 對海當歌

The Song From Ocean: 對海當歌

          
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About the Book

從五六百字的短文到五六千字的長篇散文,作者揮灑自如。她的古典文學功底,賦予了文章傳統典雅的文風,幾十年的海外生活,又給文章增添了異國情調和現代意味。作者是詩人,慣用詩人獨特的眼光看世界,看人生。詩的語言在文中俯拾皆是。豐富的想像,詼諧的語言,以及憂國憂民之赤子之心是這本書的三大特色。

※序

寫文章其實是非常自我的一件事。

詩是這樣,散文也一樣。散文就是不講究韻律的詩。與詩相比,散文更平實,更散漫,不那麼精煉,但更自然。散文也不是完全沒有音韻。但與其說是韻,不如說是勢,是一種內在的起伏跌宕,是張和馳的關係。

既然散文是自我的,就不應該有固定的格式,固定的風格。不管是多完美的格式,一旦固定,就失去了生命力。過去的八股文是這樣,當代一些所謂的美文也是這樣。

我是個隨意的人,這本散文集正表現了我隨意的一面。在這裡,有鋪展開來,洋洋灑灑五千多字的文章,也有一百多字,點到為止的隨筆,或借詠物刺時政,或憶往事抒情懷,隨心所至,隨意所止。比在中國國內作家幸運的是,我生活在加拿大這個自由民主的國度,沒有所謂政治審查的顧忌,不需要向當局獻媚,也不會被迫去寫應景的八股文章。我的文章便是我,喜是我的喜,想是我的想,痛,也是我的痛。

我不拘泥於某種表達方式或某種行文風格,主題不一樣,心情不一樣,風格就可能不一樣。因此,在不同的文章中,讀者會看到不同的青洋,我不是只把一面示人,我願把立體的我,不同面的我展示給讀者。但那還是我。

我認為,一篇優質的散文,第一要素是奇。也就是有獨特的想像,巧妙的構思,出其不意的結局等等。人云亦云的文字既浪費筆墨,又浪費時間,不如不寫。

第二要素是勢。文如看山不喜平。意思是寫文章不能一馬平川,沒有起伏。山可以是高大險峻的山,也可以是秀麗平緩的山。不同作者有不同的風格,但不能是平原。

第三要素是散。散並不是沒有主題,或是文字離開主題,海闊天空,四處跑馬。散的意思是行文不板滯,行文必須是流動的,變化的。

阿濃先生曾說,散文是一個作家的基本功。

這本書的出版,就是對我基本功的考察。我在這裡感謝從小教我認字的爺爺,是爺爺給我打下扎實的古典文學基礎;感謝我的小學語文老師翁國妹,我的中學語文老師岑龍彪和王璞,是他們對我的肯定讚許,引導幫助使我最終走上文學之路;感謝溫哥華的師長們,如我這般懶散的一個人,沒有他們對我的督促,我不可能這樣一篇篇地堅持寫下去。最後要感謝的是我的愛人。他不但切磋我,還切磋我的每一篇文章,並且創作了這本書中的插圖。

謝謝!

2015年3月13日

寫於溫哥華

青洋,加拿大籍華人作家。畢業於上海復旦大學中文系。曾任職教師、新聞記者、編輯,現任加拿大華裔作家協會副會長。出版作品有:中短篇小說「黑月亮」,詩集「夜未央」。散文、詩、小說等散見於中加等地報刊。小說和詩歌都曾獲第一屆加華文學獎。


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Product Details
  • ISBN-13: 9781647846947
  • Publisher: Ehgbooks
  • Publisher Imprint: Ehgbooks
  • Height: 229 mm
  • No of Pages: 166
  • Spine Width: 10 mm
  • Weight: 254 gr
  • ISBN-10: 1647846943
  • Publisher Date: 01 May 2015
  • Binding: Paperback
  • Language: Chinese
  • Returnable: N
  • Sub Title: 對海當歌
  • Width: 152 mm


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