Luis Kuriaki suffers from the harassment of his nightmares, derived from the murder of his beautiful girlfriend Verónica Mancera, for which he becomes obsessed with solving the murder of the young woman. As the plot unfolds, all the stories intertwine in a voracious spiral of delusions and persecution, the epicenter of which is the iconic Ciudad Juárez. The speed of emotions and the moral decay of a society, spurred on by the millions of dollars, often dirty, that feed, but also corrupt, this city, are blurring the division between good and bad.
We are facing a luminous narrative portrait of decadence and hope, in every sense of the word. Mafiosi, policemen and journalists, are the protagonists of a show where women tend to bear the worst.
During the catastrophe, however, the radiance of a chimera and the possibility of redemption and beauty, to which all human beings aspire, are glimpsed.
ONLY SHADOWS
Luis Kuriaki suffers from the harassment of his nightmares, derived from the murder of his beautiful girlfriend Verónica Mancera, for which he becomes obsessed with solving the murder of the young woman. As the plot unfolds, all the stories intertwine in a voracious spiral of delusions and persecution, the epicenter of which is the iconic Ciudad Juárez. The speed of emotions and the moral decay of a society, spurred on by the millions of dollars, often dirty, that feed, but also corrupt, this city, are blurring the division between good and bad.
We are facing a luminous narrative portrait of decadence and hope, in every sense of the word. Mafiosi, policemen and journalists, are the protagonists of a show where women tend to bear the worst.
During the catastrophe, however, the radiance of a chimera and the possibility of redemption and beauty, to which all human beings aspire, are glimpsed.
