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situacionismo y sus derivas actuales: Acerca de las relaciones entre arte y política en la estética contemporánea

situacionismo y sus derivas actuales: Acerca de las relaciones entre arte y política en la estética contemporánea

          
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About the Book

En el prólogo a "L'uso dei corpi", Giorgio Agamben retoma la figura de Guy Debord bajo la afectividad de una vida clandestina, o mejor, de una vida privada vivida como clandestina, una vida singular que rehúye y resiste las formas de la legalidad y de lo público. Acertada afectividad para nombrar al cabecilla de los situacionistas que han sabido ensanchar el umbral entre el adentro y el afuera. Adentro y afuera del museo, de la habitabilidad, del mundo espectacular y de la resistencia, de lo legal y de lo ilegal, del arte y de la política. El situacionismo es menos el tema de este libro que un ejemplo, una suerte de excusa privilegiada para abordar el problema de la relación entre arte y política. Centro de una genealogía imaginaria para el arte de la segunda mitad del siglo XX, el situacionismo abre la pregunta por la posibilidad misma del arte en el contexto de la posguerra, cuestiona la plena integración de la imagen en el capitalismo avanzado, problematiza los viejos tópicos de la vanguardia clásica y expresa el rechazo al conformismo en el que el arte moderno parecía sumergirse. Ejemplo ejemplar, que en su singularidad vale por cualquiera, tensado en los extremos de la ingenuidad y la revolución, se convierte en campo fértil para repensar la situación de estas relaciones hoy.

Guadalupe Lucero egresó de la carrera de Filosofía en la Universidad de Buenos Aires, realizó estudios de posgrado en áreas de Estética y Teoría del Arte Contemporáneo en la Universidad Autónoma de Barcelona y fue becaria doctoral del CONICET.
Paula Fleisner es Profesora y Doctora en Filosofía por la Universidad de Buenos Aires e investigadora adjunta del CONICET.

EDITORIAL PROMETEO ARGENTINA.

Este libro contiene el desarrollo de los siguientes temas:

*Presentación.
*Prólogo: La no vanguardia.
Silvia Schwarzböck.
*Neovanguardia, situacionismo y otros fantasmas.
Guadalupe Lucero.
*Guy Debord y la ciudad: deriva y psicogeografía.
Pablo Pachilla.
*¿Una arquitectura situacionista?
Mariana Santángelo.
*El revés del museo.
Candela Potente.
*El anti-cine de Guy Debord.
Rafael Mc Namara.
*Guy Debord y Walter Benjamin: del anti-espectáculo a la deriva de la historia.
Natalia Taccetta.
*El encuentro imposible. Continuidades y rupturas entre el situacionismo y la estética relacional.
Hernán López Piñeyro.
*El situacionismo que viene. Tiqqun entre el "terrorismo" y el arte.
Paula Fleisner.

*Bibliografía.


Con este libro usted podrá conocer a fondo el problema de la relación entre arte y política a través del situacionismo, el cual abre la pregunta por la posibilidad misma del arte en el contexto de la posguerra, cuestiona la plena integración de la imagen en el capitalismo avanzado, problematiza los viejos tópicos de la vanguardia clásica y expresa el rechazo al conformismo en el que el arte moderno parecía sumergirse.

¡Compre ya este libro y comience a conocer en profundidad el problema de la relación entre arte y política a través del situacionismo, el cual abre la pregunta por la posibilidad misma del arte en el contexto de la posguerra, cuestiona la plena integración de la imagen en el capitalismo avanzado, problematiza los viejos tópicos de la vanguardia clásica y expresa el rechazo al conformismo en el que el arte moderno parecía sumergirse!

Tags: filosofía, situacionismo, neovanguardia, estética relacional, psicogeografía, Guy Debord, Walter Benjamin.


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Product Details
  • ISBN-13: 9798464465718
  • Publisher: Independently Published
  • Binding: Paperback
  • Language: Spanish
  • Returnable: N
  • Sub Title: Acerca de las relaciones entre arte y política en la estética contemporánea
  • Width: 178 mm
  • ISBN-10: 8464465718
  • Publisher Date: 25 Aug 2021
  • Height: 254 mm
  • No of Pages: 172
  • Spine Width: 9 mm
  • Weight: 313 gr


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