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silencio como palabra: Memoria, arte y testimonio del horror

silencio como palabra: Memoria, arte y testimonio del horror

          
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About the Book

En el vínculo que cada época establece con los muertos de generaciones pasadas vuelven a formularse una y otra vez las mismas preguntas: ¿qué mundo nos han legado? ¿Qué vida nos espera en este mundo? ¿Cómo las generaciones pasadas surcaron los caminos que nos aguardan? El horror exterminador deja como huella el imperio de la ausencia fatal, la instituida para ejercer el dictado de lo siniestro sobre la esperanza. Débil es el instante en que se nos aparece iluminada la evidencia cuya contemplación no forma parte de nuestras posibilidades. Es el relámpago en que hacemos patente lo que el mundo nos dice sobre cómo cambió, cómo se endureció. Cómo el punto de partida de cualquier espera se extiende y limita alrededor de una expresión tan indefinida como inalcanzable, tan necesaria como desmesurada: ¡nunca más! (vuelve a decir cada generación), y en semejante e ínfimo pero a la vez infinito deseo reside el reclamo de la promesa renovada hacia cuya invocación concurre el presente libro.

Victoria Souto Carlevaro (Buenos Aires, 1979) es Licenciada en Comunicación Social por la Universidad de Buenos Aires. Investigadora en formación, becada por el Conicet, cursa su doctorado en la Facultad de Ciencias Sociales (UBA).

EDITORIAL PROMETEO ARGENTINA.

Este libro contiene el desarrollo de los siguientes temas:

*Dedicatorias
*Introducción
*Silencio

*PARTE 1 EL TESTIMONIO DEL HORROR: TERRITORIO DE LA IMPOSIBILIDAD
*APORÍAS DEL TESTIMONIO: EL SILENCIO EN LA PALABRA PROFERIDA
*Silencio y testimonio
*La exterioridad, adentro
*Testimonio: el anhelo de la experiencia
*Los musulmanes que sobrevivieron para dar su testimonio: cartografía de un "olvido
*Los viajes del silencio
*DESPLAZAMIENTOS SILENCIOSOS
*La conformación de la zona gris: un desplazamiento silencioso
*Sobre la muerte de la figura del individuo
*La libertad como prisión
*Sobrevivientes y familiares ante el desaparecido
*La culpa desplazada

*PARTE 2: RECORDAR EN LA TRAMPA DE LA MEMORIA
*Sobre la amenaza de la memoria
*La morada de la memoria

*PARTE 3: A PROPÓSITO DE LA (IM)POSIBILIDAD DE UN ACERCAMIENTO ESTÉTICO AL HORROR
*Algunas comsideraciones sobre aquella frase de Adorno
*Unas palabras sobre el silencio en Paul Celan
*El "yo" poético y la "desubjetivación"
*Sobre el peligro de la estetización del horror
*El problema de la representación del horror
*Auschwitz: la "ejecución" de la representación
*Sobre la irrepresentabilidad del horror: el debate
*CINE Y TEATRO ANTE LA MEMORIA
*Shoah, de Claude Lanzmann: el retorno de la representación
*"Trilogía del horror" el teatro como andamiaje de la memoria

*"Cierres"
*BIBLIOGRAFÍA
*FILMOGRAFÍA

Con este libro usted podrá conocer a fondo un acercamiento ensayístico a las distintas formas del silencio que intervienen en el testimonio, así como también a algunas de las múltiples imposibilidades que se juegan y entrecruzan en su seno; imposibilidades que reafirman su existencia como testimonio y destacan su sustancia aporética.

¡Compre ya este libro y comience a conocer en profundidad un acercamiento ensayístico a las distintas formas del silencio que intervienen en el testimonio, así como también a algunas de las múltiples imposibilidades que se juegan y entrecruzan en su seno; imposibilidades que reafirman su existencia como testimonio y destacan su sustancia aporética!

Tags: comunicación social, silencio y testimonio, desaparecidos, memoria, horror, filmografía de la memoria, Auschwitz.


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Product Details
  • ISBN-13: 9798544076568
  • Publisher: Independently Published
  • Binding: Paperback
  • Language: Spanish
  • Returnable: N
  • Spine Width: 7 mm
  • Weight: 245 gr
  • ISBN-10: 8544076564
  • Publisher Date: 26 Jul 2021
  • Height: 254 mm
  • No of Pages: 134
  • Series Title: Comunicacion Social
  • Sub Title: Memoria, arte y testimonio del horror
  • Width: 178 mm


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