Hawthorne is a book of literary criticism by Henry James published in 1879. The book was an insightful study of James' great predecessor Nathaniel Hawthorne. James gave extended consideration to each of Hawthorne's novels and a selection of his short stories. He also reviewed Hawthorne's life and some of his nonfiction. The book became somewhat controversial for a famous section where James enumerated the items of novelistic interest he thought were absent from American life.
This is the only book-length study James wrote about a fellow novelist, and it is not surprising he picked Hawthorne for such extended treatment. The tradition Hawthorne began in American literature - the morally intense exploration of the universality of guilt and the ambiguities of human choice - was clearly carried on by James.
Although James expressed misgivings about some of Hawthorne's more extravagant symbolism and heavy reliance on allegory, he shared his predecessor's constant interest in moral quandaries, divided loyalties, and the inevitable conflicts between imaginative protagonists and intractable reality. James also shared Hawthorne's passion for careful craftmanship and thorough, unsparing analysis of character.
James' ranking of Hawthorne's novels, from The Scarlet Letter down to The Marble Faun, has generally been accepted by later critics. Although James, at least in his earlier work, was more of a consistent realist than Hawthorne, the later novelist's work always betrays the influence of his predecessor's tendency towards metaphorical expression. In James' final novels such as The Golden Bowl, this influence becomes even more pronounced in extended metaphor and complex symbolism.
A London Life is a novella by Henry James, first published in Scribner's Magazine in 1888. The plot revolves around a crumbling marriage and its impact on many other people, especially Laura Wing, the sister of the soon-to-be-divorced wife. Laura is a classic Jamesian "central consciousness," whose reflections and emotions color the presentation of the storyline and the other characters. The tale is notable for its straightforward, even hard-edged approach to sexuality and divorce. This might reflect the influence of French naturalism on James during the 1880s.
Laura Wing, an impoverished American girl, is visiting her sister Selina Berrington in London. Selina's husband Lionel, boorish and often drunk, is preparing to divorce his wife for her adultery with Charlie Crispin. Laura challenges Selina about her affair and doubts Selina's protestations of innocence. Lady Davenant, an elderly friend of the family, counsels Laura not to take her sister's marital troubles so hard.
Laura meets a pleasant but boring American named Wendover, who becomes a suitor. Eventually, after a tempestuous and (for the reader) entertaining scene at the opera, Selina leaves her husband and goes to Brussels with Crispin. Laura spurns Wendover's marriage proposal and pursues her sister to Brussels, where she accomplishes nothing. Laura finally goes back to America, where Wendover follows her though there is no assurance as to how their future will play out. The story ends with a reminder that the case of Berrington v. Berrington and others is upcoming in the courts.
Picture and Text is a collection of essays by Henry James on the art of illustration, published in 1893. The essays are brief profiles of the principal illustrators for Harper and Brothers books and magazines, and has been remembered for extensive and perceptive essays on John Singer Sargent and Honoré Daumier. Included with the essays on black-and-white illustration of texts is a discussion in dialogue form about the similar relation between scenery and play in the theater.
