In a world where climate scientists urge us to simplify our lives and the plight of refugees grows ever more pressing, The Seaborne offers a story about a white, educated, middle-class refugee who is obliged to reduce his carbon footprint to zero. It may be for this reason that the poet and academic, Damian Walford Davies, has described the novel as ʻa parable for our particularly torn times.ʼ
John Finlay is fleeing from failure. His engineering business has failed, his relationship has failed. His flight from debts leads him to disaster - and to the Island, where he must learn to live anew.
Dermot, pulling a body, barely alive, from the water, has never seen anyone so strangely dressed. His Celtic island knows nothing of debt, nor engineering. Where has this man come from?
John struggles to accept that he has been carried across time and into another world - both like and unlike his own. How he got there is a mystery. But John the foreigner must turn slowly into Dhion the Islander. Still, he brings with him unfinished business that must be faced, and ideas that may not always be welcomed. Meanwhile Dermot, consumed with a growing jealousy, develops his own deadly agenda. The whole community finds itself caught up in what becomes a matter of survival - or transformation.
A tale of discovery and reassessment, in which John-Dhion must struggle to find himself, his role, his love and his place in this new, old, world.
A novel of Celtic quantum time that asks us to consider the ways in which we are all born strangers, seaborne foundlings, living between worlds. A parable for our particularly torn times.
Damian Walford Davies