A Room with a View is a 1985 British romance film directed by James Ivory with a screenplay written by Ruth Prawer Jhabvala, and produced by Ismail Merchant, of E. M. Forster's novel of the same name (1908). It stars Helena Bonham Carter as Lucy and Julian Sands as George, and features Maggie Smith, Denholm Elliott, Daniel Day-Lewis, Judi Dench and Simon Callow in supporting roles. Set in England and Italy, it is about a young woman named Lucy Honeychurch in the restrictive and repressed culture of Edwardian England, and her developing love for a free-spirited young man, George Emerson. The film closely follows the novel by use of chapter titles to distinguish thematic segments.Abouth Forster: E.M. Forster, in full Edward Morgan Forster, (born January 1, 1879, London, England-died June 7, 1970, Coventry, Warwickshire), British novelist, essayist, and social and literary critic. His fame rests largely on his novels Howards End (1910) and A Passage to India (1924) and on a large body of criticism. Forster's father, an architect, died when the son was a baby, and he was brought up by his mother and paternal aunts. The difference between the two families, his father's being strongly evangelical with a high sense of moral responsibility, his mother's more feckless and generous-minded, gave him an enduring insight into the nature of domestic tensions, while his education as a dayboy (day student) at Tonbridge School, Kent, was responsible for many of his later criticisms of the English public school (private) system. At King's College, Cambridge, he enjoyed a sense of liberation. For the first time he was free to follow his own intellectual inclinations; and he gained a sense of the uniqueness of the individual, of the healthiness of moderate skepticism, and of the importance of Mediterranean civilization as a counterbalance to the more straitlaced attitudes of northern European countries.On leaving Cambridge, Forster decided to devote his life to writing. His first novels and short stories were redolent of an age that was shaking off the shackles of Victorianism. While adopting certain themes (the importance of women in their own right, for example) from earlier English novelists such as George Meredith, he broke with the elaborations and intricacies favoured in the late 19th century and wrote in a freer, more colloquial style. From the first his novels included a strong strain of social comment, based on acute observation of middle-class life. There was also a deeper concern, however, a belief, associated with Forster's interest in Mediterranean "paganism," that, if men and women were to achieve a satisfactory life, they needed to keep contact with the earth and to cultivate their imaginations. In an early novel, The Longest Journey (1907), he suggested that cultivation of either in isolation is not enough, reliance on the earth alone leading to a genial brutishness and exaggerated development of imagination undermining the individual's sense of reality