Home > Art & Photography > History of art / art & design styles > History of art: byzantine & medieval art c 500 ce > Themes Religieux Et Themes Profanes Dans l'Image Medievale: Transferts, Emprunts, Oppositions
Themes Religieux Et Themes Profanes Dans l'Image Medievale: Transferts, Emprunts, Oppositions

Themes Religieux Et Themes Profanes Dans l'Image Medievale: Transferts, Emprunts, Oppositions

          
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About the Book

Les communications se fonderont sur des etudes de cas en histoire de l'art, a partir de l'observation et l'analyse de relations entre des themes religieux et des themes profanes dans des images medievales.Le religieux et le profane ne constituent pas, dans la pensee et la culture du Moyen Age, deux champs nettement separes, et ils sont rapproches dans une meme conception du monde et du Salut. Mais a l'interieur du vaste corpus global de l'iconographie medievale, il reste tres legitime de parler entre autres de themes religieux et de themes profanes, en une distinction parfaitement operatoire pour l'analyse de la majorite des oeuvres, et qui est a la base d'un grand nombre de banques de donnees, d'institutions de recherche, d'instruments de travail essentiels.Le colloque s'est attache a l'analyse d'oeuvres d'art qui temoignent d'une relation entre ces deux grands domaines, ainsi la presence de themes iconographiques profanes dans des ensembles religieux (qu'il s'agisse d'une simple juxtaposition, du renforcement d'une meme signification generale, ou au contraire d'une opposition, d'une inversion ou d'une parodie); de la presence de themes religieux dans des contextes profanes; de paralleles formels entre des themes religieux et des themes profanes, quel que soit le sens dans lequel les glissements, les emprunts evidents ou deguises, ont pu s'operer; ou de l'utilisation parfois religieuse, parfois profane, d'un meme element, d'un meme motif.A travers les manuscrits enlumines, les tapisseries, les sceaux, le decor monumental..., les analyses de l'illustration erotique du Cantique des cantiques, des representations mondaines ou de jongleurs dans des contextes ecclesiastiques, de l'homme a la peau du cerf, de l'eschatologie de Jerome Bosch, des liens entre les genealogies religieuse et profane, entre Promethee et la Genese, ou le pelerin et le courtisan, pour ne prendre que quelques exemples, apportent des eclairages neufs sur la circulation des motifs et des themes qui contribue a l'extraordinaire inventivite de l'art medieval. La proximite de motifs dans des contextes religieux et profanes tres differents exprime vraiment une ressemblance des formes malgre la difference des contenus , et illustre cette Analogiebildung, formation par analogie , magistralement definie par Panofsky.


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Product Details
  • ISBN-13: 9782503546032
  • Publisher: Brepols Publishers
  • Publisher Imprint: Brepols Publishers
  • Depth: 25
  • Language: French
  • Returnable: N
  • Spine Width: 23 mm
  • Weight: 1495 gr
  • ISBN-10: 250354603X
  • Publisher Date: 15 Apr 2014
  • Binding: Paperback
  • Height: 277 mm
  • No of Pages: 307
  • Series Title: Les Etudes Du Rilma
  • Sub Title: Transferts, Emprunts, Oppositions
  • Width: 216 mm


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