1895. Chambers, American artist and writer, later turned to writing romantic fiction to earn a living. According to some estimates, Chambers had one of the most successful literary careers of his period, with a few of his works achieving bestseller status. The book begins: All Englishmen are pigs observed a young man who stood swaying in the doorway of the Cafe Cardinal. Nobody replied to this criticism. The cafe was full. The young man advanced unsteadily to the center of the long room and looked about for a seat. His lusterless eyes traveled from table to table until they became fixed on a group of people in the embrasure of one of the windows which opened on the rue des Ecoles. Toward these people he shuffled, but when he laid a heavy hand on the shoulder of one, a woman, she cried out and shrank away. A man sitting beside her started up angrily, but sat down again when he saw who it was, and resumed his jaunty air. See other titles by this author available from Kessinger Publishing William Chambers (May 26, 1865 - December 16, 1933) was an American artist and writer. According to some estimates, Chambers was one of the most successful literary careers of his period, his later He was born in Brooklyn, New York, to William P. Chambers (1827-1911), a notable corporate and bankruptcy lawyer, and Caroline Smith Boughton (1842-1913). His parents met when Caroline was twelve years old and William P. was interning with her father, Joseph Boughton, a prominent corporate lawyer. Eventually the two formed the law firm of Chambers and Boughton which continued to prosper even after Joseph's death in 1861. Robert's great-grandfather, William Chambers (birth unknown), a lieutenant in the British Royal Navy, was married to Amelia Saunders, (1765-1822), the great grand daughter of Tobias Saunders, of Westerly, Rhode Island. The couple moved from Westerly, to Greenfield, Massachusetts and then to Galway, New York, where their son, also William Chambers, (1798-1874) was born. The second William graduated from Union College at the age of 18, and then went to a college in Boston, where he studied to be a doctor. Upon graduating he and his wife, Eliza P. Allen, (1793-1880) a direct descendant of Roger Williams, [1] the founder of Providence, Rhode Island were among the first settlers of Broadalbin, New York. His brother was architect Walter Boughton Chambers. Robert was first educated at the Brooklyn Polytechnic Institute, and then entered the Art Students' League at around the age of twenty, where the artist Charles Dana Gibson was his fellow student. Chambers studied at the École des Beaux-Arts, and at Académie Julian, in Paris from 1886 to 1893, and his work was displayed at the Salon as early as 1889. On his return to New York, he succeeded in selling his illustrations to Life, Truth, and Vogue magazines. Then, for reasons unclear, he devoted his time to writing, producing his first novel, In the Quarter (written in 1887 in Munich). His most famous, and perhaps most meritorious, effort is The King in Yellow, a collection of Art Nouveau short stories published in 1895. This included several famous weird short stories which are connected by the theme of a fictitious drama of the same title, which drives those who read it insane. E. F. Bleiler described The King in Yellow as one of the most important works of American supernatural fiction. It was also strongly admired by H. P. Lovecraft and his circle. Chambers returned to the weird genre in his later short story collections, The Maker of Moons, The Mystery of Choice, and The Tree of Heaven, but none earned him as much success as The King in Yellow.