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Quand Mere Meurt

Quand Mere Meurt

          
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About the Book

En citant cette phrase de R.Pinget qui convient si bien ici, nous relevons que ce couple amour désamour est caractéristique du livre de Gérard Couvé. En efet, lșarti-culation du récit fonctionne par couple étroitement liés pour le pire et le meilleur, comme humour/tristesse, moins contraires que complémentaires, en tout cas en apparences (peintes ?).
Le personnage principal rencontre ses doubles, dans des vies parallèles, errantes et semblables ; dans des histoires  travers lesquelles il trace un chemin au quotidien, se frayant un passage dans le troublant et sombre monde-miroir de la folie.
Parti en quête dșun ailleurs, le héros parcours un genre de labyrinthe dans sa tête qui le porte vers lșagencement dșun puzzle une série dșemboitements. Si lșauteur laisse aux spécialistes (spécialistes qușil reprend  son compte dans le travail  lșInstitution ), le soin dșanalyser les liens de son héros avec ce monde l, cșest qușil y voit des rapprochements et des parentés dans le processus de création (psychanalyse de la peinture) et le traitement de la folie.Le livre  la singularité de ne jamais dérouler qușun seul fil. Lșhistoire fait des ricochets et dévie sa trajectoire, chaque rebond ouvre un nouvel espace lors dșun tex com-mencé plusieurs pages plus tôt ou une histoire qui se rejoue autrement. La voix du personnage réapparaît maquillée et néanmoins clairement reconnaissable. Tout donne  penser que lșauteur a procédé par amplification  partir dun noyau initial : Quand mère est morte qui saccroît et fait proliférer la folie en libérant peu  peu la parole peinte ou non. Cette continuité du flux de la parole conditionne celle du récit pour aboutir  la négation qui domine lșœuvre.
Ainsi, Couvé ne donne aucune voie de salut  lșhomme : ni la folie, ni la faute, ni la perversité, ni le secret, ni le sexe, ni même le nihilisme ne se donnent comme lecture critique du monde. Tout est miné de lșintérieur, lșespace temps se déplie en inversion de lecture - en des jeux de mots pour trouver un sens -, le roman se défait, ne parvient pas  se constituer et nșoffre aucune prise au lecteur.
La seconde partie est un texte pulsionnel, une parole, entre guillemets, rapportée errante et dubitative qui ne produit finalement qușune immoralité de lșincertitude. Parfois cynique ou pessimiste, lșécrivain cherche dans cette deuxième partie du texte les valeurs minimales où puiser quelques réconforts qușil ne trouvera pas. Déguisé ? en professionnel de santé ? lșécrivain nșest jamais trop explicite et glisse sans cesse les éléments suffisants pour être compris  demi mot. Il apparaît plus en clair obscur et en demi teinte que dans une éclairante lumière, capable dșaccéder  la vérité du moi sans les faux-fuyants de la folie. Folie chaque fois prise au piège et prenant au piège lșintrospection collective.



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Product Details
  • ISBN-13: 9781326992378
  • Publisher: Lulu.com
  • Binding: Paperback
  • Language: French
  • Returnable: N
  • Weight: 0 gr
  • ISBN-10: 1326992376
  • Publisher Date: 06 Apr 2017
  • Height: 210 mm
  • No of Pages: 124
  • Spine Width: mm
  • Width: 148 mm


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