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Paragons and Afterimages: Photographs from the Berlin University of the Arts, 1850-1930

Paragons and Afterimages: Photographs from the Berlin University of the Arts, 1850-1930

          
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About the Book

How photographs became art. Paragons & Afterimages: the pair of terms refers to correlations between images, but also to their production, where reference is made to already existing images. In the art academies and schools of applied arts in the 19th and early 20th century, photographs served as "models" or "paragons," and served as their individual didactic type of image. Photographic reference material was an important aid in the creative practice of aspiring artists; and in the course of their use, "afterimages" were created in art classes, including: paintings, sculptures, drawings, and graphics. The archives of the Berlin University of the Arts have preserved a unique and valuable photographic teaching collection that dates back to the 1850s and had already been created at the predecessor institutions, the Berlin Art Academy, and the leading School of Decorative Arts. With approximately 25,000 individual photographic prints, and additional bundles and albums, this collection is unique in Germany. Hardly noticed for a long time, it has in recent years been archivally and scientifically reviewed. This collection is presented for the first time in this book and with the exhibition organized by the Münchner Stadtmuseum.
About the Author: Ludger Derenthal is director of the Museum of Photography in Berlin and curator of numerous exhibitions on the history and recent photography. Anastasia Dittmann, MA in art history, Italian studies, and English studies at the University of Marburg. Monika Faber was curator at the Albertina in Vienna and is now curator at the photoinstitute Bonartes. Antje Kalcher is scientific research specialist at the archive of the Berlin University. Hubert Locher is professor of art history in Marburg. Kristina Lowis is a curator and art historian who publishes books on art and cultural studies. Ulrich Pohlmann is head and chief curator of the Photography Collection at the Munich Stadtmuseum. Dietmar Schenk leads the archive of the Berlin University since 1991, and he is the head of the Photographic Collection from the University, which also includes the Karl Blossfeldt Collection.


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Product Details
  • ISBN-13: 9783864423055
  • Publisher: Snoeck Publishing Company
  • Publisher Imprint: Snoeck Publishing Company
  • Height: 246 mm
  • No of Pages: 416
  • Spine Width: 41 mm
  • Weight: 2394 gr
  • ISBN-10: 3864423058
  • Publisher Date: 03 Mar 2020
  • Binding: Paperback
  • Language: English
  • Returnable: Y
  • Sub Title: Photographs from the Berlin University of the Arts, 1850-1930
  • Width: 287 mm


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