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Other Side of Solitude: In Solitude there is Solace

Other Side of Solitude: In Solitude there is Solace

          
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About the Book

A collection of my best short stories - previously published in both mainstream and literary magazines - others published for the first time. Everything from a pig hunting story to a fun romance. Literary stories, commercial fiction, and shorter vignettes. Included in the collection is my first published short story, a fishing yarn, Sam's Kingie, and for the first time a new fishing yarn starring Sam, The Living Legend. Inspired by my love of the sea and nature, the stories draw on memories of school days and childhood adventures, the people I've met and the yarns I've heard throughout my life. Themes include courage, friendship, respect, trust, disappointment, patience and love. Solitude is often at the heart of the story; those folk who live alone - whether by choice or circumstance - and how they find solace. Characters battle on alone, find solace in nature, and take heart from the support of friends. The Eagle sees a woman wait a life-time for the 'right' person before she can relinquish the reigns at last. In The Eel the 'right' person has been gone a life-time, but peace might at last be salvaged from this loss. In both Mary's Treasures and The Little Bird older women fight for their independence in two very different stories. Kirsty is a teenage girl who 'dares, ' but what exactly has she won? In The Return a teenage girl has suffered both loss and joy. Spring begins with the promise of romance, which comes to nothing, but there is still optimism. The Back Block - my story about pig hunting - is the quintessential 'coming of age' story (Contains gruesome incident). Is Saturday Morning in Suburbia the story about the disappointment of a life lived to suburban rules and expectations only to discover, too late, that life might have been lived differently? Or is it the story about a man who will redeem himself in the last few weeks of his life? Excerpts: Kirsty The morning was hot. It was in your face heat scooped up by the wind, heavy with the smells of the rush hour traffic, coming straight at us; hot. The road was already starting to melt and the cars whizzing past, sprayed out stinky black tar. Yesterday had been hot, too. But today was going to boil. The Back Block But it was Charlie's eyes that held people. As brown and dark and slippery as the river, they caught at a man when he wasn't expecting it. Made you listen. Made you believe the stories even though you knew they were mostly wild exaggeration. I was no exception. That was why I went with him that day. Wild pigs. He'd seen them, out beyond the back block. Huge beasts "with great ugly tusks that'd rip a man in half if he didn't watch it and I'd better have my wits about me and be prepared to make a run for it and could I climb a tree in my boots and did I have a decent knife?" I assured Charlie I was fit, (at seventeen, nearly eighteen and hadn't I just done six hay paddocks?) and there wasn't a tree standing I couldn't climb. And I had the best knife out. My uncle had sent it from England. So we went. Tramping out through miles of dusty dry bush, with the brown bracken crunching underfoot and the musty, peppery smell of the bush thick around us and the fantails diving about our heads, all the way out to where the giant pigs roamed. The Return The concrete was grey and unfriendly beneath my feet, an impassive spectator of my return. People brushed by me, but I didn't look at them. I wasn't yet ready to exchange smiles and nods of recognition, or talk to old friends. "You can't go back," Mum had said. "Nothing stays the same. People change. You make new friends." Perhaps she was right, but I had to find out for myself. The Eel I parked the car by the mailbox and got out. For a while I stood, listening. After the hum of jet engines and the noise of the car motor, the silence of the countryside made my ears ring. I'd traveled nearly three days to get here, and it didn't seem real.
About the Author: Judy Lawn has been writing for over thirty years. Her ideas for her short stories, picture books and novels come from her love of animals and nature, and a childhood spent exploring the countryside and beaches of New Zealand's North Island. A keen fisher, Judy's first published short story was a fishing yarn, Sam's Kingie. Other short stories have been published in various magazines, including New Zealand Woman's Weekly, Australian/New Zealand Woman's Day and Takahe Magazine. Two children's stories were produced on National Radio. Her adult novels are: Daisies Never Die and Watch Over Me, the first two stories in the Rose Rountree Mystery Series, and Progressions, which won the 2005 EPIC Award for Best Single Title/Mainstream. Her first children's picture book was The Shrimp Who Wanted to be Pink, Reed Publishing (NZ) Ltd 2003. Sebastian's Tail, Penguin Group (NZ) was published in 2008. Two non-fiction books on creative writing have also been published. Judy lives on the Whangaparaoa Peninsula north of Auckland City where the many beautiful beaches and parklands provide inspiration for her stories. A long-held dream of starting her own publishing company came to fruition in 2011, with the launch of Jupiter Publishing NZ Ltd. The company ran until July, 2015. Five books were published, including two children's picture books, Jossie's New Home and Jamie's Monsters and a chapter book, The Giant Greglusam. To learn more about Judy, and to read excerpts from her novels, and the short story, Sam's Kingie, visit her website: www.judylawn.com


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Product Details
  • ISBN-13: 9781974182695
  • Publisher: Createspace Independent Publishing Platform
  • Publisher Imprint: Createspace Independent Publishing Platform
  • Height: 229 mm
  • No of Pages: 132
  • Spine Width: 7 mm
  • Weight: 186 gr
  • ISBN-10: 197418269X
  • Publisher Date: 04 Oct 2017
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Sub Title: In Solitude there is Solace
  • Width: 152 mm


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