Home > Art & Photography > History of art / art & design styles > Noir & Blanc: La Gravure Belge Et Neerlandaise En Italie Au Debut Du Xxe Siecle. l'Incisione Belga E Neerlandese Nell'italia del Primo Novecento
Noir & Blanc: La Gravure Belge Et Neerlandaise En Italie Au Debut Du Xxe Siecle. l'Incisione Belga E Neerlandese Nell'italia del Primo Novecento

Noir & Blanc: La Gravure Belge Et Neerlandaise En Italie Au Debut Du Xxe Siecle. l'Incisione Belga E Neerlandese Nell'italia del Primo Novecento

          
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About the Book

Alors que le role joue par les estampes dans la definition d'une culture commune europeenne retient de plus en plus l'attention, l'apport de la gravure belge et neerlandaise dans l'eclosion de l'interet pour les arts du noir et blanc au debut du XXe siecle est un domaine toujours neglige par l'historiographie. L'ouvrage reunit les actes du colloque international qui s'est tenu a l'Academia Belgica et au Koninklijk Nederlands Instituut a Rome en octobre 2018. Ils portent sur l'activite des graveurs belges et neerlandais dont l'oeuvre fait reference a l'Italie ou a la culture figurative italienne - de Felicien Rops a Charles Doudelet, de Jan Toorop a Frank Brangwyn et Maurits Cornelis Escher -, et examinent leur contribution au dialogue interculturel. La presence stimulante de ces estampes dans les expositions italiennes eut en effet des repercussions immediates sur la formulation d'un gout et d'un style commun, fournissant une base theorique a plusieurs developpements du Novecento italien. La pluralite methodologique des essais offre une variete de lectures qui vont de l'analyse monographique a la reception de la gravure nordique aupres de la critique italienne, en passant par sa diffusion parmi les collectionneurs et le marche, et l'analyse des echanges transnationaux. Italian description: Se il ruolo svolto dalle stampe nella definizione di una comune cultura figurativa europea attira un'attenzione crescente, il contributo dell'incisione belga e neerlandese al risveglio d'interesse per le arti del Bianco e Nero all'inizio del Novecento e un campo ancora trascurato dalla storiografia. Il volume raccoglie gli atti di un convegno internazionale svoltosi a Roma nell'ottobre 2018 all'Academia Belgica e al Koninklijk Nederlands Instituut. Vi si studia l'attivita di incisori belgi e neerlandesi con riferimento all'Italia e alla cultura figurativa italiana - da Felicien Rops a Charles Doudelet, da Jan Toorop a Frank Brangwyn e Maurits Cornelis Escher - e si esamina il loro contributo al dialogo interculturale. La stimolante presenza di quelle stampe alle mostre in Italia ebbe infatti ricadute immediate sulla formulazione di un gusto e di uno stile comune, fornendo la base teorica per molti sviluppi del Novecento italiano. La pluralita metodologica dei saggi offre una varieta di letture che spaziano dall'analisi monografica alla ricezione dell'incisione nordica presso la critica italiana, passando dalla diffusione tra i collezionisti e nel mercato all'analisi degli scambi transnazionali.


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Product Details
  • ISBN-13: 9789042944824
  • Publisher: Peeters
  • Publisher Imprint: Peeters
  • Language: French
  • Returnable: N
  • Sub Title: La Gravure Belge Et Neerlandaise En Italie Au Debut Du Xxe Siecle. l'Incisione Belga E Neerlandese Nell'italia del Primo Novecento
  • ISBN-10: 904294482X
  • Publisher Date: 01 Jul 2021
  • Binding: Paperback
  • No of Pages: 206
  • Series Title: Studia Academiae Belgicae
  • Weight: 149 gr


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Noir & Blanc: La Gravure Belge Et Neerlandaise En Italie Au Debut Du Xxe Siecle. l'Incisione Belga E Neerlandese Nell'italia del Primo Novecento
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