Home > Art & Photography > Theatre studies > "neue Frau" im Berliner Kabarett der 20er Jahre: Imagekonstruktion und Chanson-Performance "Die Linie der Mode" von der Diseuse Margo Lion
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"neue Frau" im Berliner Kabarett der 20er Jahre: Imagekonstruktion und Chanson-Performance "Die Linie der Mode" von der Diseuse Margo Lion

"neue Frau" im Berliner Kabarett der 20er Jahre: Imagekonstruktion und Chanson-Performance "Die Linie der Mode" von der Diseuse Margo Lion

          
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About the Book

Studienarbeit aus dem Jahr 2018 im Fachbereich Theaterwissenschaft, Tanz, Note: 2,0, Freie Universität Berlin (Theaterwissenschaft), Veranstaltung: Politisches Theater in der Weimarer Republik, Sprache: Deutsch, Abstract: In Anbetracht der Tatsache, dass das Kabarett dazu dient, das soziale Geschehen, sowie die Gesellschaft zu kritisieren, wird im Folgenden erörtert, inwiefern sich das neue Weiblichkeitsbild der 1920er Jahre in Margo Lions Chanson "Die Linie der Mode" und in ihrer Darstellung der "Grotesken Neuen Frau" widerspiegelt. Handelt es sich hierbei lediglich um eine Selbstinszenierung und Image-Konstruktion der Diseuse im politischen und sozialkritischen Kontext? Oder um einen neuen Zeitgeist, welchen Lion einfängt und durch die Unterhaltungskunst des Kabaretts darstellt? Die Analyse der Performance beruht auf einer Aufnahme aus dem Jahr 1978, in der Lion den Chansontext in ihrer allgemeinen Darstellungsform performt. Nach der Beschreibung und Einordnung des neuen Weiblichkeitstypus in den historischen, wie auch gesellschaftlichen Kontext werden diese Fragen anschließend in Bezug auf Margot Lions Rolle innerhalb des Kabaretts, sowie ihren Bühnen-Personae und Chanson-Performances von "Die Linie der Mode" untersucht. Eine der bedeutsamsten Berliner Kabarettistinnen der Goldenen 1920er Jahre war die Diseuse und Chanteuse Margo Lion. Lion besang mit ihrem Chanson, Die Linie der Mode" einen zentralen Anknüpfungspunkt des neuen Weiblichkeitsbildes innerhalb der 1920er Jahre und lieferte damit einen wichtigen Beitrag zur Berliner Unterhaltungskultur. Durch diesen noch im Diskurs stehenden, neuen Weiblichkeitstyp der Weimarer Republik, verkörperte Lion das für die Bühne erschaffene Image der "Grotesken Neuen Frau" und nutzte dieses als essentiellen Bestandteil für ihre Chanson-Performances. "Die zehnte Muse ist jene Dame [...], der das Patronat über das Kabarett anvertraut wurde. Sie trägt nicht den langen Peplos ihrer ersteren Schwestern [...], so muß man


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Product Details
  • ISBN-13: 9783346088932
  • Publisher: Grin Verlag
  • Publisher Imprint: Grin Verlag
  • Height: 210 mm
  • No of Pages: 24
  • Spine Width: 2 mm
  • Weight: 45 gr
  • ISBN-10: 3346088936
  • Publisher Date: 06 Dec 2019
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Sub Title: Imagekonstruktion und Chanson-Performance "Die Linie der Mode" von der Diseuse Margo Lion
  • Width: 148 mm


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