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Método para charango: Ritmo, Rasgueo y posiciones, primer curso

Método para charango: Ritmo, Rasgueo y posiciones, primer curso

          
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About the Book

"Nada hay más cercano a la sugestión indígena y profunda de la musicalidad de la quena, los sicus, el pinkullo y la caja. que ese raro instrumento entroncado a la morfología del laúd. que la musicalidad aborigen crea sobre la modalidad de un instrumento de importación hispana. con el charango. Extraña construcción, extrañas sonoridades, extraña tabladura, extraño timbre, todo, en fin, es raro y nuevo, arcaico y a la vez actual en la naturaleza musical del charango. La inmediatez seca de su timbre tiene toda la significación de la sequía geológica y torturante que envuelve a toda la civilización keschua y calchaqui; el brillo de su sonoridad recuerda el encandilamiento solar de los altiplanos heridos en su silencio imperturbable por sus aves significadoras de extraños mitos, y el sistema de sus modulaciones mestizas dice en una historia inmemorial. la hondura de un sentimiento austero y alto como las cimas andinas.Es un instrumento humilde y trágico a la vez, como humilde y trágica es el alma del indio.

Roberto Bergonzi, ha recibido la enseñanza del charango de manos auténticamente indias a través del celo musical y del talento estudioso de una etnofonista argentina de oriundo cuño como es Quita Pugliese. Desde niño fue instrumento familiar en sus manos preparadas para el virtuosismo, y ya adolescente, lo supo enseñar con esmero y con magistral amor.Nadie como el puede escribir, dados sus fundamentos musicales y su vida sacrificada al amor del folklore, nadie como Roberto Bergonzi. aseguramos, puede escribir un método sobre el charango que sea a la vez, práctico y eficaz, musical y auténtico, tanto en su forma didáctica como en su contenido artístico.El afán por descubrir el verdadero semblante de la expresión americana, obtiene con la publicación de este método, una certificación y una conquista en el plano misterioso y difícil de la belleza autóctona." JUAN FRANCISCO GIACOBBE.

EDITORIAL MELOS ARGENTINA.

Este libro contiene el desarrollo de los siguientes temas:

Prólogo (Maestro Juan Francisco Giacobbe), Breves palabras del autor, Descripción del charango, De la posición, Para la mano derecha, Para la mamo izquierda, De la signografía, Del encordado y la afinación, Equivalencias (afinación), De las tonalidades, De las barras o cejillas, Ejercitación ( ejercicios, posiciones y ritmos, kaluyo (Danza del norte Argentino), Al sonar de las cajas (Kaluyo de Semana Santa), Carnavalito (Danza del norte Argentino), Carnavalito (Danza del norte Argentino), Huaynito (Danza del norte Argentino), Madrigal del viernes santo (Canto litúrgico del norte Argentino), Navidad en el cerro (Bailecito), Piedra y cardón (Zamba), Zamba y penas (Zamba), Cueca (Danza del norte Argentino), Formas tonales, Tonalidades mayores, Tonalidades menores.

Con este libro usted podrá desarrollar su potencial para tocar el charango

¡Compre ya este libro y comience a conocer en profundidad el mundo de la música!

Tags: Melos, charango, partituras, Pentagrama, acorde, Bergonzi. Composición.


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Product Details
  • ISBN-13: 9798728912842
  • Publisher: Independently Published
  • Publisher Imprint: Independently Published
  • Height: 279 mm
  • No of Pages: 34
  • Spine Width: 2 mm
  • Weight: 104 gr
  • ISBN-10: 8728912845
  • Publisher Date: 26 Mar 2021
  • Binding: Paperback
  • Language: Spanish
  • Returnable: N
  • Sub Title: Ritmo, Rasgueo y posiciones, primer curso
  • Width: 216 mm


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