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Musée de Sculpture Antique Et Moderne, Ou Description Historique Et Graphique de Louvre Et de Toutes Ses Parties, Des Statues, Bustes, Bas-Reliefs Et Inscriptions Du Musée Royal Des Antiques Et Des Tuileries, Vol. 2: Et de Plus de 2500 Statues An

Musée de Sculpture Antique Et Moderne, Ou Description Historique Et Graphique de Louvre Et de Toutes Ses Parties, Des Statues, Bustes, Bas-Reliefs Et Inscriptions Du Musée Royal Des Antiques Et Des Tuileries, Vol. 2: Et de Plus de 2500 Statues An

          
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About the Book

Excerpt from Musée de Sculpture Antique Et Moderne, ou Description Historique Et Graphique de Louvre Et de Toutes Ses Parties, des Statues, Bustes, Bas-Reliefs Et Inscriptions du Musée Royal des Antiques Et des Tuileries, Vol. 2: Et de Plus de 2500 Statues Antiques Dont Cinq Cents au Moins Sont Inédites Tirées des Principaux Musées Et des Diverses Collections de l'Europe, Accompagnée d'une Iconographie �gyptienne, Grecque Et Romaine; Première Partie

L'idée du bas - relief qui annonce déjà de la réflexion et de la combinaison n'a dii venir, ainsi que le prouve M. Quatremère de Quincy, que lorsque la peinture avoit déjà appris à disposer des personnages (t) et les premiers essais dans ce genre ne furent que des imitations en saillie des ouvrages de la peinture. Rien ne le prouverait mieux que les bas - reliefs coloriés des Ã?gyptiens et des Grecs; car il n'est pas dans l'ordre des idées que ce soit à la sculpture que la peinture ait emprunté une manière d'imiter la nature qui est plus dans ses attributions que dans celles du premier de ces arts. On pourrait mème avancer avec certitude que l'on ne peignit, si l'on peut s'exprimer ainsi, en relief, que lorsque la peinture eut appris à donner aux objets leurs couleurs caril n'est pas probable que la peinture monochrôme ou à une seule couleur, mais dégradée dans ses nuances du clair à l'ombre ce qui ne se peut sans le mélange de plusieurs couleurs ait été la première manière de peindre; et il est naturel de penser qu'on a cher ché d'abord à rendre les couleurs des objets dont on était frappé ce qui, au fait, est plus simple que de faire abstraction de la couleur et de ne s'occuper que de la forme et de l'effet produit par le mélange de la lumière et de l'ombre. De mème aussi est - il à croire que les premiers bas - reliefs ont dii ètre peints et n'otfrir que des copies ou des imitations grossières de tableaux. Par suite de cette opinion je pencherais à admettre que la peinture monochrôme, telle que je l'entends, a dii naitre de l' imitation des bas - reliefs, lorsque l'on en fit d'une teinte uniforme. Ce furent des services que se rendirent mutuellement la peinture et la sculpture, en employant les moyens d'imi tation qui convenaient à leurs procédés.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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Product Details
  • ISBN-13: 9781390609127
  • Publisher: Forgotten Books
  • Publisher Imprint: Forgotten Books
  • ISBN-10: 139060912X
  • Publisher Date: 04 Sep 2018


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Musée de Sculpture Antique Et Moderne, Ou Description Historique Et Graphique de Louvre Et de Toutes Ses Parties, Des Statues, Bustes, Bas-Reliefs Et Inscriptions Du Musée Royal Des Antiques Et Des Tuileries, Vol. 2: Et de Plus de 2500 Statues An
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Musée de Sculpture Antique Et Moderne, Ou Description Historique Et Graphique de Louvre Et de Toutes Ses Parties, Des Statues, Bustes, Bas-Reliefs Et Inscriptions Du Musée Royal Des Antiques Et Des Tuileries, Vol. 2: Et de Plus de 2500 Statues An

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