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madera de orilla

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About the Book

Por una parte, el Eros; por otra, la ética, concebida como el conocimiento físico o afectivo, muy subterráneo, de un personaje lírico fascinado por un hombre en quien el bien y el mal perseveran y se socializan. Violencia ("en los besos masacres puntuales"), justicia ("los ajusticiados siguen siendo miles") y, en un sentido amplio del término, política ("saben mis pies de las torturas") son referentes entre los cuales se desplaza una historia de amor desesperanzado, aunque no desesperado, porque nos depara la serenidad de alguien que anímicamente crece e identifica su "abandono" con una experiencia colectiva. Un par de versos que resumen la totalidad del libro en el plano dramático: "el amor está bajo los grillos/en algún sótano"; un par de versos que invocan la sabiduría profunda, inconsciente, que nos transmite: "escrito en pequeñas láminas de piel/bajo los olores firmes de la especie". El relato de viaje traspasa cada poema sin que el desplazamiento sea por fuerza físico: se siente más en la pasión con que los versos adoptan una "poquita fe" y la diminutiva ternura con que los regionalismos centroamericanos esbozan o encarnan en la expresión una anécdota que poetas menos aptos habrían simplemente narrado. Desde ya podemos considerar fundamental la obra de María Antonieta Flores en el proceso de transformación de la poesía venezolana de los últimos tiempos. Sus diálogos no se emprenden con una modernidad que una y otra vez nos ha traicionado, delatando a estas alturas su índole de espejismo; el tesoro oculto de esta poesía se encuentra, por el contrario, en todo aquello que nos hace creíbles, en particular, la irónica madurez del desencanto. Miguel Gomes
About the Author: María Antonieta Flores. (Caracas, 1960). Poeta, ensayista, crítica e investigadora de literatura, profesora universitaria jubilada. Magister en Literatura Latinoamericana. Con el poemario Registro en el asfalto (inédito) obtuvo la Primera Mención del Concurso de Poesía 1985 de la desaparecida Asociación de Escritores de Venezuela (AEV). Ha publicado los poemarios: El señor de la muralla (1991), Canto de Cacería (1995. Premio de Poesía de la I Bienal de Literatura Municipal "Augusto Padrón" 1994), Presente que no en ausencias (1995), Agar (1996), criba de abril (1998), Los trabajos interminables (1998. Mención Premio Municipal de Literatura en 1999), índigo (2001. Premio Anual Fundación para la Cultura Urbana), limaduras (2005), la voz de mis hermanas (2005), regresaba a las injurias (2009), madera de orilla (2013), temples (2014), deletérea (2015). En ensayo, obtuvo el Premio Municipal de Literatura "Rafael Angel Insausti" mención Ensayo 1996 (Barinas) con Sophia y Mythos de la pasión amorosa editado en 1997 y ganó en la Mención Ensayo Literario de la IV Bienal de Literatura "Mariano Picón Salas" 1997 con Espiral sonora. Lectura de Ida Gramcko (inédito). Su poesía ha sido traducida al brasilero, rumano, inglés, italiano y alemán. Ha sido, también, incluida en antologías nacionales e internacionales. Ha publicado artículos especializados en revistas nacionales e internacionales, ha sido columnista de crítica literaria y de reseñas en la prensa nacional. Fundadora y editora de la revista literaria el cautivo (www.elcautivo.org) en 2004, con más de 50 números. Ha participado como poeta invitada en distintos festivales y encuentros internacionales en Colombia, Brasil, Argentina, México, Romania, Austria, Costa Rica, Nicaragua, Panamá.


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Product Details
  • ISBN-13: 9781979316330
  • Publisher: Createspace Independent Publishing Platform
  • Publisher Imprint: Createspace Independent Publishing Platform
  • Height: 203 mm
  • No of Pages: 68
  • Spine Width: 4 mm
  • Width: 133 mm
  • ISBN-10: 1979316333
  • Publisher Date: 30 Oct 2017
  • Binding: Paperback
  • Language: Spanish
  • Returnable: N
  • Weight: 86 gr


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