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On Lyrical Phonetics: A Briefe Personal Discours Concerning The Presentational Display of One Theorum based-upon The Condition of Being Heard, Understood, & Passionately

On Lyrical Phonetics: A Briefe Personal Discours Concerning The Presentational Display of One Theorum based-upon The Condition of Being Heard, Understood, & Passionately

          
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About the Book

Lyraphonakousmato: It all starts with an Utterance. Be it short or long, it has to contain inside of itself the reflections of the universal will that created it. Somewhere in The 1970's, I heard about an old Russian School of Thought that had something to do with how Words and Music work together. At the time I did not have any idea what was being imparted onto my youthful ears. As I began to set my words to my Music I found that some types of words just did not "Sit-Well" with The Tune. I attempted upon many occasions to recall "That School of Thought", but to no fortune. Trips to The Library (this was long before "The Internet-of-Things") found not a single trace of what I sought. There was no True Treatise on the subject. I asked around school and college and random Musicians, but still nothing. What little I could remember was that, before The First World War, Russia had a Great Musical Heritage that had been Literarily Burn by The Communists and their ilk. I read some Tzarist History and inquired with Librarians, still nothing. I never gave up, and over the course of Forty years each time I composed a "New Song", I kept in mind this concept: The Sonority of the Pronunciation of The Lyric is imbued by, and with, The Harmonic Structure of The Music. Sad Songs need sad Tonalities, whilst Happy require Joyful Modalities. Seems simple enough, but... The relationships between Word-Tone, Speech-Sound, and Musical-Meaning are of The Essences in Sonic-Communications.
About the Author: The Author, Robert Mulderrig, began performing The C-Melody Saxophone with his oldest brother's High School Pep Band in 1976, whilst still in Junior High. Upon enrollment of Christian Brothers, said Author, remained after class helping to establish the Music program, culminating with both Award Winning Marching, and Concert Bands. Beginning with his first Rock Group after Graduation, he attended Sacramento City College, continuing his Musical Education as Composer, Performer, and Theoritian. Having completed his Associates Degree in Humanities, he relocated to Southern California to make good use of The Audio, Recording, and Music Synthesis Program at CSU Dominguez Hills, obtaining a State Certificate. As he worked his way up The Ranks to Manager of Schweid's Music City, Robert continued to perform, compose, and develop any and all aspects of The Craft, all the while keeping his eyes upon The World around him. Returning to The University in 2002 was his father's idea, and was not taken lightly. Graduation as part of Mu Phi Epsilon's Honor Society granted him a Bachelorette in Electronic Music. This breathed new Hope into The Author as he set out, once again, on Our Journey called Life. Beginning with VoidSchool's web presence and the "Pay-per-Download" of his Music, Robert opened Mulderrig's Music in July of 2004, thus continuing the instruction of aspiring students, as well as the selling and repairing of Musical Instruments. Research and Development of The Craft has continued even though he closed up his Shop in late 2011, due to both health and economic concerns. Since then, the pace has slowed some-what.


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Product Details
  • ISBN-13: 9781544242248
  • Publisher: Createspace Independent Publishing Platform
  • Publisher Imprint: Createspace Independent Publishing Platform
  • Height: 229 mm
  • No of Pages: 164
  • Spine Width: 10 mm
  • Weight: 249 gr
  • ISBN-10: 1544242247
  • Publisher Date: 11 May 2018
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Sub Title: A Briefe Personal Discours Concerning The Presentational Display of One Theorum based-upon The Condition of Being Heard, Understood, & Passionately
  • Width: 152 mm


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