Artist and photographer Clare Newton rediscovers and records the faint remnants of old London, only made visible when lit by a fleeting low winter's sun. These images are the conduits through time, analysing the sometimes uncomfortable balance between a struggling heritage to exist and the insatiable appetite of modern regeneration. But deep inside East London also lies a Victorian era. The mother of inventions, which not only stimulated change across the world then but even now their lingering artefacts and sayings effect us even in today's hi-tech social world.

Strange but true stories that explain how and where artefacts have come from. Including the roots of 'Sarcasm' or the colour purple, both invented in the east end. Or how Shoreditch got its name.

This book arose after many previous years exploration for a large exhibition displayed before the Olympics in London, called Riches Uncovered. The facts of which will be made into a series of photographic studies for all to enjoy and smile over.


About Clare Newton
In 2001 Clare Newton was awarded the British Female Inventor of the Year, and she has received 5 international awards for innovation.

Born in London, her creative talents were expressed at a young age, first painting her bedroom to building wooden aeroplanes. But when she was given her first camera, a little Minolta, at the age of 14, it inspired her to build a dark room in the roof of her parents' house, where she taught herself how to shoot and develop photographs, with neighbours encouraging her with small commissions. She took a degree in art and design in East London and worked as a Graphic & Interior Designer for many years. Photography really took off for her when the Olympics came to London. She made her first large photographic installation in 2009, 'Riches Uncovered', a collection of photographic montages to explain and document East London's disappearing heritage. After this first project she went on to produce numerous extraordinary community art projects, involving hundreds of children and adults. The resulting photographic montages were displayed outdoors in unexpected public places, encouraging all to take part, share and learn about local heritage. Clare believes that it is through the passion of creating participatory public projects, that art can positively affect people in different and personal ways, even drawing communities together.

Clare's next endeavour was to create Jump4London - the World's Longest Photograph, with 5,000 people taking part, who appeared to jump simultaneously. Two meters high and one kilometre in length, it was printed on 2.5 tons of specialist photographic material, and documented an important piece of London's history as people celebrated the 2012 Olympic Games. It made a Double Guinness World Record as part of the Cultural Olympiad's World Record London.