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Listening Beyond the Sound: 傾聽弦外之音:音樂藝術跨界展演研究

Listening Beyond the Sound: 傾聽弦外之音:音樂藝術跨界展演研究

          
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About the Book

本書以音樂藝術的跨界展演為主軸,針對其時代背景、原創精神、展演型態與美學原理等面向,理解其特殊的藝術特質與文化意涵,梳理其與他領域藝術之間的合作關係,及其跨界合作的型態與理念。透過對於包括跨戲劇、跨舞蹈、跨多媒與跨戲曲等各類代表個案的研究分析,以及與本地音樂家、藝術家所進行的實地訪談,進一步探索音樂藝術跨界展演之應用情形與發展現象。


跨領域的音樂研究是近來的新趨勢,但對於音樂藝術跨界展演方面的學術研究確仍相當有限。本書希冀在這塊相對較少人耕耘的園地裡,提供一份具學術價值的參考文獻,以深化音樂藝術的內涵,鞏固多元發展的地基,同時也為無可限量的表演藝術新興型態與美學發展鋪路。

陳慧珊,英國伯明罕市立大學音樂學博士,現任國立臺灣藝術大學表演藝術碩士班專任副教授。研究領域含跨界音樂、跨文化音樂、音樂美學、現代音樂、音樂劇場、表演藝術跨領域研究等。主要學術著作計有:〈 後現代聆聽的挑戰與方向:聆聽慣習、生態途徑、音樂詮釋〉、〈反思「跨界音樂」--從音樂多元本體觀論當代音樂之跨界 〉、〈臺灣私立樂團跨界展演初探--以采風樂坊、朱宗慶打擊樂團為例〉、〈臺灣公立樂團跨界展演初探--以臺北市立國樂團、國家交響樂團為例〉、《現代音樂美學新論》、〈Changing Tendency of Western Music Tradition in Taiwan〉、〈我泥中有你,你泥中有我--「現代主義」與「後現代主義」在當代音樂中的邂逅與發酵〉、〈跨文化美學的音樂詮釋-以臺灣當代作曲家之藝術觀為例〉、〈從道家美學論約翰・凱吉的無言之美〉、〈Detecting Seriousness under Romanticism: Hanslick on Brahms' Symphonies〉、〈古典時期之啟蒙思想與音樂風格〉、〈Confucianism and Music〉、〈Yue Ji: The Record of Music〉、〈Yue Jing: The Book of Music〉、〈Yue Lun: The Discourse of Music〉、《The Tao to the New Music: Studies in Anton Webern's Early Atonal Music》等。




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Product Details
  • ISBN-13: 9781647845544
  • Publisher: Ehgbooks
  • Publisher Imprint: Ehgbooks
  • Height: 229 mm
  • No of Pages: 478
  • Spine Width: 27 mm
  • Weight: 698 gr
  • ISBN-10: 1647845548
  • Publisher Date: 01 Jun 2016
  • Binding: Paperback
  • Language: Chinese
  • Returnable: N
  • Sub Title: 傾聽弦外之音:音樂藝術跨界展演研究
  • Width: 152 mm


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