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Life in Death - Die Umkehrung des Pygmalion-Mythos in Edgar Allan Poes "The Oval Portrait"

Life in Death - Die Umkehrung des Pygmalion-Mythos in Edgar Allan Poes "The Oval Portrait"

          
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About the Book

Studienarbeit aus dem Jahr 2009 im Fachbereich Germanistik - Komparatistik, Vergleichende Literaturwissenschaft, Note: 2,3, Johann Wolfgang Goethe-Universität Frankfurt am Main (Allgemeine und Vergleichende Literaturwissenschaft), Veranstaltung: Pygmalion- das Lebendigwerden der Kunst, Sprache: Deutsch, Abstract: Einleitung Pygmalion aus Ovids Metmorphosen und der namenlose Maler des Portraits aus Edgar Allan Poes The Oval Portrait -was verbindet diese Charaktere aus zwei Werken unterschiedlichster Epochen miteinander? Beide sind Schöpfer eines Kunstwerks. Pygmalion erschafft Galathea, eine Elfenbeinstatue, die zu einer lebenden Frau aus Fleisch und Blut wird. Der namenlose Maler in Poes Erzählung malt ein fatales Porträt, bei dem das abgebildete Objekt einen hohen Preis für sein Simulacrum zahlen muss. Neben dem Akt des Schöpfens und Formens, welcher bis zur romantischen Epoche lediglich im Nach- und Abbilden der Natur bestand, gibt es noch weitere Aspekte, die bei der Schaffung von Kunst eine zentrale Rolle spielen: Einerseits die Verbesserung der Natur durch die Kunst (Aemulatio) wodurch der Künstler nicht mehr nur Nachbildner von etwas bereits Gegebenem ist, sondern Schöpfer von etwas Neuem wird. Die Natur steht somit der Kunst nicht mehr als Vorbild voran, denn die Kunst emanzipiert sich und definiert sich um. Ihr antagonistisches Gegenüber muss nicht mehr die Natur, das Leben, das Dynamische sein. Es könnte auch der Tod, das Statische, die Kunst, also sie selbst, sein. Beim Betrachten dieser dichotomen Paare Kunst/Natur, Leben/Tod, Dynamik/Statik stellen sich folgende Fragen, die den Anspruch an die Kunst und ihre Auswirkung betreffen: Bildet Kunst das Leben, die Natur, nur ab? Verbessert sie diese? Ist Kunst ein Ausweg aus dem Verfall? Kann man durch Kunst dem Tod entgehen? Inwiefern kann Kunst zerstören? In der Romantik wurde der mimetische Anspruch der Literatur überwunden und eine neue Auffassung konstituierte sich allmählich. Einer der auffälligsten Umstür


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Product Details
  • ISBN-13: 9783640364954
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 2 mm
  • Width: 148 mm
  • ISBN-10: 3640364953
  • Publisher Date: 03 Jul 2009
  • Height: 210 mm
  • No of Pages: 28
  • Series Title: German
  • Weight: 50 gr


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