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Les mille et une nuits

Les mille et une nuits

          
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About the Book

Les Mille et Une Nuits (Le Livre de mille nuits et une nuit) est un recueil anonyme de contes populaires en arabe, d'origine persane et indienne. Il est constitué de nombreux contes enchâssés et de personnages mis en miroir les uns par rapport aux autres. Les origines du recueil: la tradition orale L'origine des contes présents dans les Mille et Une Nuits, avant recueil, est difficile à déterminer du fait de leur transmission orale et de l'absence de sources écrites. Les contes se sont probablement propagés de l'Inde à l'Iran, puis au monde arabe. Figés par l'écrit au XIIIe siècle seulement, les contes sont donc le résultat de la fusion de nombreuses versions orales. Un texte arabe de 987 mentionne l'existence d'un livre persan intitulé Les Mille Contes. Si certains indices indiquent une influence persane, d'autres pourraient faire remonter l'origine des Mille et Une Nuits jusqu'à l'Inde du IIIe siècle. Certains contes semblent aussi proprement arabes. Les différents textes publiés peuvent présenter d'importantes différences. Ils sont issus de quelque 70 manuscrits originaux, qui appartiennent généralement à deux grandes lignées: d'une part les textes dits de la branche égyptienne (éditions Bûlâq / Calcutta), généralement les plus complètes, et d'autre part les manuscrits issus de la branche syrienne (dont le texte de Galland). Les traductions proposées sont parfois issues de recompositions de plusieurs manuscrits. La connaissance d'un certain nombre d'histoires du recueil semble arriver en Europe occidentale au plus tard au XIIe siècle avec, par exemple, l'histoire de Floire et Blancheflor qui s'inspirerait de celle de Neema et Noam qui fait partie du recueil. Un recueil peu étudié Contrairement aux fables animalières Kalila et Dimna ou aux Maqâmât d'Al-Hariri, le recueil de contes est considéré comme marginal dans la littérature arabe, et relève non pas des belles lettres (adâb) mais d'un registre populaire. Il est possible que l'ouvrage original en persan, le Hazar-afsana, ait relevé du genre du miroir des princes, et contenu des récits exemplaires destinés à l'éducation des gouvernants. Mais à côté d'un récit-cadre qui est resté stable (l'histoire de Shéhérazade, qui encadre toutes les autres), le reste des contes aurait alors considérablement changé - comme le titre persan d'ailleurs - et une nouvelle matière y a été introduite. L'absence du recueil persan - les seuls manuscrits en persan connus sont des traductions du XIXe siècle réalisées d'après la traduction d'Antoine Galland - empêche d'en savoir plus. Ces contes furent ensuite diffusés en Europe, profitant de la mode de l'orientalisme et du travail de Galland Antoine Galland (vers 1646 à Rollot, Picardie, France - 17 février 1715 à Paris) est orientaliste français qui fut spécialiste de manuscrits anciens et de monnaies. Habitué de la Bibliothèque royale, antiquaire du roi, académicien et, pour finir, lecteur au Collège royal, il fut même receveur de la gabelle du sel. La postérité a surtout retenu sa traduction des Mille et une nuits menée au début du XVIIIe siècle. Né dans une famille de petits paysans de la Somme, il garda toute sa vie une grande humilité.


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Product Details
  • ISBN-13: 9781518830143
  • Publisher: Createspace Independent Publishing Platform
  • Publisher Imprint: Createspace Independent Publishing Platform
  • Height: 229 mm
  • No of Pages: 562
  • Series Title: French
  • Weight: 743 gr
  • ISBN-10: 1518830145
  • Publisher Date: 30 Oct 2015
  • Binding: Paperback
  • Language: French
  • Returnable: N
  • Spine Width: 29 mm
  • Width: 152 mm

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