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Les jeunes France

Les jeunes France

          
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About the Book

Premier recueil de nouvelles de Théophile Gautier. Il a été écrit alors que l'auteur appartenait au Petit Cénacle composé notamment de Gérard de Nerval, Pétrus Borel, Philothée O'Neddy, Jehan Duseigneur... L'ouvrage est illustré d'un frontispice sur Chine monté, gravé à l'eau-forte par un autre membre de ce cénacle, Célestin Nanteuil. Au moins une nouvelle, Onuphrius Wphly, avait été écrit pour un projet collectif: Les Contes du bousingo, par une camaraderie. Gérard de Nerval avait pour l'occasion écrit La Main de gloire. Charles Spoelberch de Lovenjoul estime que ce livre est en somme les Contes du Bousingo si longtemps annoncés par une camaraderie, et écrits par Théophile Gautier seul. Les Jeunes-France, censuré sous le second Empire, oscille entre critique des imposteurs du romantisme et dérision de l'esprit du Petit Cénacle; ses membres se qualifiant eux-mêmes de Jeunes-France. La nouvelle Élias Wildmanstadius est un portrait ironique et attachant de son ami Célestin Nanteuil. Sous la table et surtout Le Bol de punch rappellent le Pandæmonium de Philothée O'Neddy que l'on retrouve dans Feu et Flamme (1833). Ce recueil de nouvelles marque aussi la fin d'une époque et paraît, au mois d'août 1833, à un moment où le Petit Cénacle est déjà largement dispersé.
About the Author: Théophile Gautier, né à Tarbes le 30 août 1811[1] et mort à Neuilly-sur-Seine le 23 octobre 1872, est un poète, romancier et critique d'art français. Né à Tarbes, Théophile Gautier est cependant parisien dès sa première enfance. Il fait la connaissance du futur Nerval au Collège Charlemagne et s'intéresse très jeune à la poésie. En 1829 il rencontre Victor Hugo qu'il reconnaît pour son maître et participe activement au mouvement romantique comme lors de la fameuse bataille d'Hernani, le 25 février 1830. Il évoquera avec humour cette période en 1833 dans Les Jeunes-France. Il publie en 1831-1832 ses premières poésies qui passent inaperçues mais il se distingue de ses amis romantiques par ses préoccupations formalistes fustigeant les visions moralistes ou utilitaires de la littérature dans la célèbre préface à son roman épistolaire Mademoiselle de Maupin (1835). Il écrit aussi ses premières nouvelles comme La Cafetière (1831), dans une veine fantastique qu'il approfondira dans d'autres oeuvres (Le Roman de la momie, 1858). En 1836, à la demande de Balzac, il donne des nouvelles et des critiques d'art au journal La Chronique de Paris. Il collabore ensuite intensément à d'autres journaux, en particulier La Presse d'Émile de Girardin certains de ces textes seront regroupés plus tard en volumes (Les Grotesques, Souvenirs littéraires...). Il publie aussi des poèmes (La Comédie de la Mort, 1838) et s'essaie au théâtre (Une larme du diable, 1839). En mai 1845, il accomplit un grand voyage au-delà des Pyrénées dont il rapporte un carnet d'impressions (Voyage en Espagne) et de nouveaux poèmes (España, 1845). D'autres voyages en Algérie, en Italie, en Grèce, en Égypte, nourriront aussi diverses publications. En 1852, paraît Émaux et Camées, recueil de vers qu'il enrichit jusqu'en 1872 et qui fait de son auteur un chef d'école Baudelaire dédie Les Fleurs du mal au poète impeccable et Théodore de Banville salue le défenseur de l'art pour l'art, précurseur des Parnassiens à la recherche du beau contre les épanchements lyriques des romantiques et valorisant le travail de la forme ( Sculpte, lime, cisèle écrit Gautier dans son poème L'Art, dernière pièce de Émaux et Camées, édition de 1872).


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Product Details
  • ISBN-13: 9781500189631
  • Publisher: Createspace Independent Publishing Platform
  • Publisher Imprint: Createspace Independent Publishing Platform
  • Height: 229 mm
  • No of Pages: 222
  • Series Title: French
  • Weight: 304 gr
  • ISBN-10: 1500189634
  • Publisher Date: 15 Jun 2014
  • Binding: Paperback
  • Language: French
  • Returnable: N
  • Spine Width: 12 mm
  • Width: 152 mm


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