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Les Amants Magnifiques

Les Amants Magnifiques

          
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About the Book

  • Comédie en cinq actes mêlée de musique et d'entrées de ballet , Les Amants magnifiques résultent d'une commande faite par Louis XIV à Molière (1622-1673) et Jean-Baptiste Lully (1632-1687) pour les festivités du carnaval de 1670. La collaboration entre les deux artistes avait commencé dès 1664 et elle se prolongera jusqu'en 1672.
  • Cette fructueuse complicité artistique permettra à Lully d'explorer les voies qui le conduiront vers l'opéra dont il fixera bientôt la formule avec Cadmus et Hermione (1673). L'inventivité du musicien alliée au talent du dramaturge donne naissance à un spectacle mêlant toutes les ressources de la scène, la comédie-ballet - dont Les Amants magnifiques constituent une sorte d'apothéose.
  • Fait pour séduire en éblouissant, ce divertissement théâtral offre une grande diversité de formules. Dans l'atmosphère de poésie et de fantaisie de la pastorale, les scènes dansées succèdent aux scènes parlées. Au milieu des interventions chantées par des solistes ou des choeurs, la danse et la pantomime doivent permettre aux interprètes amateurs de se mêler aux professionnels. Louis XIV passionné par la danse devait danser lui-même sous le costume de Neptune, puis sous celui d'Apollon. Il y renoncera finalement dans un nouveau souci de dignité.
  • Le recours aux machines accroît encore la féérie d'un spectacle qui met lui-même en scène une succession de scènes censées être offertes par deux rois qui rivalisent pour gagner le coeur d'une princesse. Cette mise en abyme constitue un des attraits majeurs des Amants magnifiques.
  • Comme l'indique l' Avant-Propos, c'est le Roi lui-même qui a choisi le sujet très romanesque et conventionnel de ce spectacle, représenté pour la première fois devant la Cour à Saint-Germain, dans le cadre du Grand Divertissement royal. Les Amants magnifiques qui nécessitaient une mise en scène fastueuse ne seront pas repris pour le public parisien. Publiée dans l'édition posthume des oeuvres de Molière parue en 1682, cette comédie-ballet sera toutefois donnée par la troupe du Théâtre Guénégaud en 1688.
  • Puis ce fut l'oubli. D'inutiles préventions ont conduit à distinguer des grandes comédies de Molière la comédie-ballet, mise à l'écart comme un genre hybride uniquement conçu pour contribuer aux divertissements de la cour. Dans ce type de spectacle, le texte a pour première fonction d'assurer l'union de l'action dramatique avec la musique et la danse. Mais Molière ajoute une touche de réalisme à cette comédie sentimentale pleine de délicatesse en y introduisant une critique de l'astrologie très en vogue à la cour. Chacun pouvait d'ailleurs à l'époque reconnaître dans le personnage d'Anaxarque Jean-Baptiste Morin, un influent astrologue passé maître dans l'art de s'attirer la faveur des plus grands.


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Product Details
  • ISBN-13: 9798611761496
  • Publisher: Independently Published
  • Publisher Imprint: Independently Published
  • Height: 229 mm
  • No of Pages: 100
  • Spine Width: 6 mm
  • Width: 152 mm
  • ISBN-10: 8611761499
  • Publisher Date: 09 Feb 2020
  • Binding: Paperback
  • Language: French
  • Returnable: N
  • Weight: 159 gr


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