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Königinnen der Nacht? Zum Verhältnis von Schwarzen Frauen und Pflanzen in Otobong Nkangas Performance Diaspore (2014/2020)

Königinnen der Nacht? Zum Verhältnis von Schwarzen Frauen und Pflanzen in Otobong Nkangas Performance Diaspore (2014/2020)

          
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About the Book

Studienarbeit aus dem Jahr 2020 im Fachbereich Kunst - Installationen, Aktionskunst, 'moderne' Kunst, Note: 1,0, Freie Universität Berlin (Kunsthistorisches Institut), Veranstaltung: Seminar: Feministische Positionen in der Kunst Afrikas und seiner Diaspora, Sprache: Deutsch, Abstract: Die Arbeit legt eine fokussierte Interpretation der Performance Diaspore (2014/2020) der nigerianisch-belgischen Künstlerin Otobong Nkanga vor. Dazu wird das Werk beschrieben, und seine Einbettung in kulturtheoretische Diskurse mit Blick auf das OEuvre der Künstlerin analysiert. Den Anlass hierzu gaben ein Besuch einer Einzelausstellung Nkangas im Gropius Bau Berlin und ein Seminar am kunsthistorischen Institut der Freien Universität Berlin. Das Seminar "Feministische Positionen in der Kunst Afrikas und seiner Diaspora" widmete sich der Repräsentation afrikanischer und afrodiasporischer Künstlerinnen aus feministischer und postkolonialer Perspektive. Es stellte auch ökofeministische Zugänge zu den Werken Schwarzer Künstlerinnen zur Disposition: Ökofeminist*innen beschäftigt die strukturelle Ähnlichkeit der Repression von Frauen und der Natur, die sie beide intrinsisch miteinander verbunden sehen. Das Werk, so die These, verschränkt ökologische, feministische und postkoloniale Diskurse miteinander. Um dieser Annahme auf den Grund zu gehen, stellt sich der Autor die Frage, wie Diaspore Schwarze Frauen und Pflanzen zu einander ins Verhältnis setzt. Dazu wird die Performance im Kontext der Ausstellung und anhand fotografischer und filmischer Dokumentationen beschrieben. Der Autor vollzieht semiotische Referenzen auf die o. g. Diskurse im OEuvre der Künstlerin nach und untermauert diese mit ausgewählten Fachtexten schlaglichtartig.
About the Author: Marie Egger studiert Kunstgeschichte im globalen Kontext mit dem Schwerpunkt Europa und Amerika an der Freien Universität Berlin. Ihre Forschungsinteressen umfassen transkulturelle Kunstgeschichte seit 1989, Strategien des Humoristischen in der bildenden Kunst, sowie institutionelle und künstlerische Praktiken des Archivierens. Ihren B.A. absolvierte Marie Egger in Kulturwissenschaften und Kunst- und Bildgeschichte an der Humboldt-Universität zu Berlin mit einer Arbeit zu Motiven moderner Großstadtflânerie. Danach schloss sie einen M.A. in Kultur- und Medienmanagement an der Freien Universität Berlin mit einer raumtheoretischen Untersuchung zeitgenössischer Biennalen ab. Marie Egger war Mitglied der kuratorischen Teams der Marrakech Biennale in Marokko, der Biennial of the Americas in Denver, Colorado und der Moskau Biennale in Russland; sowie der Kunsthalle Wien. 2016 erhielt sie ein Stipendium am Witte de With Center for Contemporary Art in Rotterdam, wo sie ein künstlerisches Forschungsprojekt zum institutionellen Archiv realisierte. (Stand: Dezember 2019)


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Product Details
  • ISBN-13: 9783346286949
  • Publisher: Grin Verlag
  • Publisher Imprint: Grin Verlag
  • Height: 210 mm
  • No of Pages: 52
  • Spine Width: 3 mm
  • Width: 148 mm
  • ISBN-10: 3346286940
  • Publisher Date: 26 Oct 2020
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Weight: 82 gr


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