Home > Society & social sciences > Society & culture: general > Media studies > Kollektives Gedächtnis und Erinnerungskultur. Erinnerung an den Zweiten Weltkrieg in Philipp Kadelbachs Fernsehfilm "Unsere Mütter, unsere Väter"
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Kollektives Gedächtnis und Erinnerungskultur. Erinnerung an den Zweiten Weltkrieg in Philipp Kadelbachs Fernsehfilm "Unsere Mütter, unsere Väter"

Kollektives Gedächtnis und Erinnerungskultur. Erinnerung an den Zweiten Weltkrieg in Philipp Kadelbachs Fernsehfilm "Unsere Mütter, unsere Väter"

          
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About the Book

Bachelorarbeit aus dem Jahr 2019 im Fachbereich Medien / Kommunikation - Film und Fernsehen, Note: 1,0, Heinrich-Heine-Universität Düsseldorf, Sprache: Deutsch, Abstract: Inhalt dieser Arbeit ist eine Auseinandersetzung mit dem deutschen dreiteiligen Fernsehfilm "Unsere Mütter, unsere Väter" von Regisseur Philipp Kadelbach aus dem Jahr 2013. Unter Berücksichtigung gängiger Theorien aus dem Forschungsfeld kollektive Gedächtnisse und Erinnerungskultur soll untersucht werden, inwiefern der Film kollektive Erinnerung an den Zweiten Weltkrieg schafft. Um einen theoretischen Rahmen und eine Grundlange für die Betrachtung des Films zu schaffen, werden zunächst ausgewählte Theorien aus dem genannten Forschungsbereich vorgestellt. Grundlegend sind dabei die Schriften zu mémoire collective und cadres sociaux von Maurice Halbwachs, die Untersuchungen zum kollektiven Gedächtnis von Aleida und Jan Assmann sowie die Dimensionen der Erinnerungskultur nach Astrid Erll. Während die Theorien von Halbwachs, Assmann und Erll den theoretischen Rahmen spannen, werden mit Aleida Assmanns eingeführten Überlegungen zu neuen Grundbegriffen des kollektiven Gedächtnisses die Perspektiven der Sieger und Verlierer sowie die der Opfer und Täter auf die Geschichte und die Bedeutung von Trauma und Vergangenheitsbewältigung näher betrachtet. Im Mittelpunkt der Arbeit steht die ausführliche Filmanalyse der drei Teile von "Unsere Mütter, unsere Väter". Zum einen werden die Figuren und ihre Entwicklung analysiert, da die Veränderungen, die sie durchleben, ein zentrales Motiv des Films ist. Zum anderen wird nachfolgend die Darstellung von Nationalsozialismus, Holocaust und Antisemitismus, der Partisanen, der Opfer- und Täterrolle und des Nachkriegsdeutschlands genauer untersucht und interpretiert. Zusätzlich zu den inhaltlichen Motiven des Films wird kurz ausgeführt, welche Bedeutung Titel und stilistische Mittel haben. In der abschließenden Bemerkung werden noch einmal zentrale Gedanken aus der vor


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Product Details
  • ISBN-13: 9783346138910
  • Publisher: Grin Verlag
  • Publisher Imprint: Grin Verlag
  • Height: 210 mm
  • No of Pages: 60
  • Spine Width: 4 mm
  • Width: 148 mm
  • ISBN-10: 3346138917
  • Publisher Date: 22 Mar 2020
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Weight: 91 gr


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