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Judios Y Conversos En El Corpus Christi: La Dramaturgia Calderoniana

Judios Y Conversos En El Corpus Christi: La Dramaturgia Calderoniana

          
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About the Book

Depuis le XVe siecle on fait jouer en Espagne des pieces lors de la Fete-dieu, appelees autos sacramentales.?Au debut les liens entre l'action dramatique et l'exaltation de l'eucharistie n'est pas toujours de mise mais la tendance sera de donner une coherence thematique au theatre et a la fete dans laquelle il s'inscrit. Theatre de devotion, theatre didactique mais theatre, c'est-a-dire une intrigue et des personnages capables de nous emouvoir, et c'est Calderon de la Barca, le dramaturge qui porte l'auto sacramental a maturite, qui va saisir que le moyen le plus apte pour reunir theologie et tension dramatique est de mettre le Christ au centre de l'action, ce qui entrainera chez lui une presence presque continuelle du Peuple Juif en tant qu'acteur de la Passion.Le propos de mon ouvrage est de retracer l'evolution de la construction de ce personnage, ses avatars sur une longue duree en prenant compte des pesanteurs de l'histoire, du contexte historique et social espagnol, ou les juifs et ses nombreux descendants baptises, les nouveaux chretiens, jouent un role si important (Premiere partie).Je consacre une deuxieme partie a l'analyse de l'image des juifs et des nouveaux chretiens dans l'auto sacramental calderonien. Je prete une grande importance aux liens que Calderon, poete de Cour, entretient avec le pouvoir et aux consequences qui en decoulent d'une telle proximite.Enfin, une troisieme et derniere partie se focalise sur les implications dramaturgiques?: construction et type de personnages, jeu des acteurs?; action dramatique?; sequences types?; costumes..., afin de dresser un panorama le plus complet possible de la presence de juifs et nouveux-chretiens dans le theatre de la Fete-DieuDesde el siglo XV se representan en Espana durante el Corpus Christi obras de teatro que andando el tiempo se conoceran con el nombre de autos sacramentales; progresivamente se iran estrechando los lazos entre el dialogo y la exaltacion de la Eucaristia. Teatro de devocion, teatro didactico, pero, teatro, esto es, una accion con personajes capaces de emocionarnos, y sera Calderon de la Barca, autor que lleva el auto sacramental a su madurez, quien comprendera que el modo mas seguro de reunir teologia y tension dramatica es situar a Cristo en el centro del conflicto, lo cual conlleva en su caso la presencia casi continua del Pueblo Judio como actor de la Pasion.Esta obra analiza en la primera parte la evolucion de dicho personaje alegorico durante dos siglos, teniendo en cuenta el peso del contexto historico y social espanol, y concretamente el papel desempenado por judios y conversos en aquel periodo.En la segunda se estudia la imagen de judios y cristianos nuevos en el auto sacramental calderoniano, prestandose particular atencion a los lazos que Calderon, poeta cortesano, mantiene con el poder, y a las consecuencias que de ello se derivan.Por ultimo, la tercera parte se dedica a la dramaturgia propiamente dicha: accion dramatica, secuencias tipo, construccion y clases de personajes, interpretacion, vestuario..., a fin de dar la vision mas completa posible de la presencia de judios y conversos en el teatro del Corpus Christi.


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Product Details
  • ISBN-13: 9782503548142
  • Publisher: Brepols Publishers
  • Publisher Imprint: Brepols Publishers
  • Depth: 38
  • Language: Spanish
  • Returnable: N
  • Spine Width: 36 mm
  • Weight: 1114 gr
  • ISBN-10: 2503548148
  • Publisher Date: 13 Mar 2014
  • Binding: Paperback
  • Height: 234 mm
  • No of Pages: 489
  • Series Title: Etudes Renaissantes
  • Sub Title: La Dramaturgia Calderoniana
  • Width: 152 mm


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