Contents
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Breaking the Glass Ceiling: Thriving as a Nigerian Female Artist in a Predominantly Male Industry
Emma Nyra
I Am Legend & Mad Max: Fury Road: New Subjectivities After the End of the World
Evdokia Stefanopoulou
Reading Roxane Gay's "Requiem for a Glass Heart" from a Disability Perspective
Kari Hanson-Park
Female SF, Porridge SF, and Sinopedia: Xia Jia and Genres of Contemporary Chinese Science Fiction
Regina Kanyu Wang
Disrupting the Nascent Paradigm of Urban Automobility in H. G. Wells's The Sleeper Awakes
Jeremy Withers
Changeling the Outcome: Fairy-Tale Framing and the Ethics of Care in Michelle Lovretta's Killjoys
Christina Fawcett
A Monstrous Correspondence: Letters Between Frankenstein and Dracula
Callum Browne
"A Ghost Can Be a Lot of Things" The Allocation of Horror in The Haunting of H[ill] House
Anelise Haukaas
"Somebody to Love" The Queer Possibilities of Amazon Prime's Good Omens
Linda Wight
Bible Fantasy and Modern Israeli Fantasy: The Case of "The War of the Kings"
Hagai Dagan
"I was Wary of that Tracery of Words, as if Somehow They Could Hurt Me" Intrusive Words and Posthumanist Horror in Jeff VanderMeer's Annihilation
Maggie White
Do Androids Dream of Wars and Climate Change? India's Futures in Three Hindi "Large Short" Films
Sami Ahmad Khan
Enabling Artistry
Melody Mennite Walsh
REVIEWS
Simon Bacon's Eco-Vampires: The Undead and the Environment
Rev. by Amanda Firestone
Mike Ashley's The Rise of the Cyberzines: the Story of the Science-Fiction Magazines from 1991-2020
Rev. by Farah Mendlesohn
T. Boffone and C. Herrera's Nerds, Goths, Geeks, and Freaks: Outsiders in Chicanx and Latinx Young Adult Literature
Rev. by Genesis Pabon
Samantha Lindop's The Stepford Wives
Rev. by Pedro Ponce
