Home > Art & Photography > History of art / art & design styles > History of art: byzantine & medieval art c 500 ce > The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition
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The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition

The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition

          
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About the Book

In this book, Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy 'of different nationalities', the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.


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Product Details
  • ISBN-13: 9781108488167
  • Publisher: Cambridge University Press
  • Publisher Imprint: Cambridge University Press
  • Height: 185 mm
  • No of Pages: 224
  • Spine Width: 19 mm
  • Weight: 634 gr
  • ISBN-10: 1108488161
  • Publisher Date: 26 Mar 2020
  • Binding: Hardback
  • Language: English
  • Returnable: Y
  • Sub Title: Art, Politics, and Dynastic Ambition
  • Width: 259 mm


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