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Interpassivität - Das Kunstwerk betrachtet sich selbst

Interpassivität - Das Kunstwerk betrachtet sich selbst

          
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About the Book

Fachbuch aus dem Jahr 2011 im Fachbereich Kunst - Allgemeines, Kunsttheorie, Note: 1,3, Carl von Ossietzky Universität Oldenburg, Sprache: Deutsch, Abstract: Zu Beginn der neunziger Jahre galt Interaktivität als "State of the Art", also das Maß aller Dinge. Sämtliche Bereiche, wie die Kunst, die Populärkultur und auch die kulturwissenschaftliche Theorie, wurden zu diesem Zeitpunkt von interaktiven Vorgängen bestimmt. Doch bereits Mitte der neunziger Jahre riefen diese Annahmen erste Kritiker, wie den slowenischen Philosophen, Kulturkritiker und nicht praktizierenden lacanianischen Psychoanalytiker, Slavoj Zizek auf den Plan. Zizek, der sich hauptsächlich mit der Weiterentwicklung und Anwendung, der psychoanalytischen Theorien nach Jacques Lacan, auf die Populärkultur und Kulturkritik befasste, analysierte im Rahmen seiner Arbeit das "Dosengelächter" (canned laughter) von so genannten Sitcoms, also komödiantischen Serien. Er behauptete, dass dieses vorgegebene Lachen, welches dem Bild an scheinbar amüsanten Stellen unterlegt wurde, das Lachen der Zuschauer ersetze und diese so, ohne der Handlung zu folgen oder selbst lachen zu müssen, unterhalten würden. Zizek folgerte daraus, dass unsere Gefühle und Überzeugungen nichts Inneres sind, sondern eine außen angesiedelte, objektive Existenz führen können (vgl. Zizek, 1991, S. 50 ff.). Diese Theorie nach Zizek, greift Robert Pfaller, ein österreichischer Professor für Philosophie und Kulturwissenschaft, erneut auf und entwickelt sie in seinem Buch "Interpassivität. Studien über delegiertes Genießen" (2000) weiter. Pfaller ist der Erste, der den heute viel diskutierten Begriff der "Interpassivität" (vgl. Pfaller, 1996) in den Mund nimmt, obwohl an dieser Stelle zu erwähnen ist, dass die Begrifflichkeit zwar eine neue ist, die Annahmen allerdings sehr stark mit denen nach Zizek und Lacan korrelieren. Im Folgenden möchte ich den Begriff der Interpassivität näher beleuchten und ihn speziell auf seine Anwendbarkeit in der Kunst


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Product Details
  • ISBN-13: 9783656076353
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 3 mm
  • Width: 140 mm
  • ISBN-10: 3656076359
  • Publisher Date: 13 Dec 2011
  • Height: 216 mm
  • No of Pages: 40
  • Series Title: German
  • Weight: 59 gr


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