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Interferenzen - Fiktion und Fotografie bei W.G. Sebald

Interferenzen - Fiktion und Fotografie bei W.G. Sebald

          
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About the Book

Magisterarbeit aus dem Jahr 2011 im Fachbereich Germanistik - Neuere Deutsche Literatur, Note: 1,0, Technische Universität Berlin (Institut für LIteraturwissenschaft), Sprache: Deutsch, Abstract: Sebalds Prosa changiert zwischen Fakt und Fiktion ebenso wie zwischen fotografischem Erzählen und akribischer Geschichtsschreibung. Der Autor schafft es in seiner Rekonstruktion von Vergangenheit, der im 20. Jahrhundert mehr und mehr in Zweifel gezogenen Fotografie eine neue Relevanz als Medium der Erinnerung im literarischen Text zuzuweisen. Die Fiktion als Gedächtnisort erweist sich bei diesem Projekt als die der Zerbrechlichkeit des Individuums Raum gebende Form eines Erzählens, das sich auch als eine Kontemplation der Menschheitsgeschichte der Zerstörung und als ein Festhalten an der Hoffnung auf Einsicht und Umkehr versteht. Diese Arbeit untersucht die fotografischen Abbildungen in ihrem Verhältnis zum Erzähltext in den drei Prosawerken Schwindel. Gefühle., Die Ausgewanderten und Austerlitz. Der Idee liegt die Tatsache zu Grunde, dass von ihnen eine Verweiskraft und Konstituierung im Gesamtwerk ausgeht, die in den Betrachtungen von Einzelwerken in der Forschung oft nur marginal zur Sprache kommt. Die vielfältigen Verbindungswege zwischen dem Erzähltext der drei Prosawerke, der zwischen dokumentarisch und fiktional schwankt, und der Fotografie zwischen banaler Tautologie und intertextuellem Verwirrspiel gaben den Anstoß zu dieser werkübergreifenden Untersuchung. Sebalds Prosawerke werden dem neuen Genre "Foto-Text" bzw. "Ikonotext" zugeordnet, demnach tragen zwei unterschiedliche Medien zur Fiktionalität des Gesamtwerks bei. Im ersten Abschnitt werden fiktionale und fiktive Erzählstrategien auf der textlichen Ebene untersucht. Nach einem kurzen Abriss über den Gegenstand Foto-Text und bisherige Forschungstexte zum Foto bei Sebald werden verschiedene Aspekte beleuchtet, die sowohl die Fotografie als Medium als auch das Foto in Sebalds Text betreffen. Die Fotografie sch


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Product Details
  • ISBN-13: 9783656324942
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 6 mm
  • Width: 148 mm
  • ISBN-10: 3656324948
  • Publisher Date: 02 Dec 2012
  • Height: 210 mm
  • No of Pages: 104
  • Series Title: German
  • Weight: 145 gr


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