My friend the tinker has had, perhaps, more than his share of adventures, but then his is the temperament that shoots, like a willing needle, to the great magnet of melodrama. The temperamental needle of Edward Basingstoke followed the magnet of romance. In a gayer, if less comfortable, age he might have been a knight-errant, or, at least, the sympathetic squire of a knight-errant. Had he been born in the days when most people stayed at home and minded their own business 4he would have insisted on going out and minding other people's. Living in the days of aeroplanes, motors, telegraphy, and cinematographs, in a world noisy with the nonsense of politics and the press, he told himself that the ideal life was the life of the farmer who plowed and sowed and reaped, tended his beasts and filled his barns, and went home from his clean, quiet work to the open hearth whence the wood smoke curled up to heaven like the smoke of an altar.Destiny, in deep perversity, was making an engineer of him. He dreamed his pastoral dreams in the deafening clangor of the shops at Crewe, but not ten thousand hammers could beat out of his brain the faith that life was really-little as one might suppose it, just looking at it from Crewe-full of the most beautiful and delicate possibilities, and that, somehow or other, people got from life what they chose to take. While he was making up his mind what he should take, he went on learning his trade. And Destiny seemed determined that he should learn nothing else. What we call Destiny is really Chance-and so far from being immutable, she is the veriest flirt and weathercock. She changed her mind about Edward-or perhaps Death, who is stronger than she, insisted and prevailed.Just at the time when a faint dust was beginning to settle on his dreams-the sort of dust that thickens and hardens into clay and you grow cabbages in it-Death intervened to save him. It was his uncle who died, and he left a will, and by that will certain property came to Edward. When the news came he took a day to think of it, and he went to the works as usual that afternoon and the next morning. But next day at noon he laid down his tools and never took them up again. Instead he took a ticket to Oxford, appeared at the rooms of his friend, whom he surprised in slumber, and told his tale.