Home > Dictionaries & Language > Language: reference & general > In meiner Komödie hat es am Ende vollkommen finster zu sein: Zum komischen Aspekt der Künstler- und Geniefiguren Thomas Bernhards anhand ausgewählter Dramen
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In meiner Komödie hat es am Ende vollkommen finster zu sein: Zum komischen Aspekt der Künstler- und Geniefiguren Thomas Bernhards anhand ausgewählter Dramen

In meiner Komödie hat es am Ende vollkommen finster zu sein: Zum komischen Aspekt der Künstler- und Geniefiguren Thomas Bernhards anhand ausgewählter Dramen

          
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About the Book

Studienarbeit aus dem Jahr 2005 im Fachbereich Germanistik - Neuere Deutsche Literatur, Note: 1,0, Johann Wolfgang Goethe-Universität Frankfurt am Main (Institut für Deutsche Sprache und Literatur II), Veranstaltung: Das Komische, Sprache: Deutsch, Abstract: Thomas Bernhards Theaterstücke sind ausnahmslos Komödien. Ihr Personal erinnert an traditionelle Typenkomödien, doch gibt es bei Bernhard keine kathartische Einsicht oder Abstrafung des überzogenen Charakters. Besonders seine Genie- und Künstlerfiguren verlassen ihre Rollen nicht, sondern beharren bis zum Ende auf der Konsistenz ihres Daseins. Wir wollen betrachten, wie das Komische bei Bernhards Stücken entsteht und welche besondere Ausformung es bei den Genies erhält. Mir scheint, dass sie gerade weil sie wissen, dass sie eine Rolle spielen, in einen grotesken Selbstwiderspruch treten, der ihnen aber letztlich den Triumph über ihre Umwelt erlaubt. Da Künstler bei Bernhard immer auch Wahnsinnige sind, die weit von der Gesellschaft entfernt existieren, folgt ihr Spiel anderen Regeln als aus der sozialen Praxis vorausgesetzt wird. Deswegen können sie noch im finalen Scheitern den Sieg davontragen. Thomas Bernhard ist lange Zeit ausschließlich als apokalyptischer, pessimistischer Autor verstanden worden. Die Präsenz des Todes in seinem Werk veranlasste viele Interpreten, ihn als Nihilisten zu begreifen, für den das Leben immer sinnlos ist. Doch der komische Aspekt wurde erst in den letzen zehn Jahren wirklich entdeckt und germanistisch aufbereitet. Obwohl seine öffentlichen Auftritte und sein dramatisches Werk offensichtlich komisch sind, tat sich die Sekundärliteratur schwer, diesem Aspekt genügend Aufmerksamkeit zu schenken. Ruixiang Han hat eine der ersten Abhandlungen über das Komische bei Bernhard verfasst, in Der komische Aspekt in Bernhards Romanen liefert er sehr gute Analysen verschiedener Techniken und Phänomene in Bernhards Erzählwerk. Er geht aus von Bernhards Äußerung "es ist alles lächerlich, wenn m


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Product Details
  • ISBN-13: 9783640204427
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 3 mm
  • Weight: 82 gr
  • ISBN-10: 3640204425
  • Publisher Date: 11 Nov 2008
  • Height: 210 mm
  • No of Pages: 52
  • Series Title: German
  • Sub Title: Zum komischen Aspekt der Künstler- und Geniefiguren Thomas Bernhards anhand ausgewählter Dramen
  • Width: 148 mm


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In meiner Komödie hat es am Ende vollkommen finster zu sein: Zum komischen Aspekt der Künstler- und Geniefiguren Thomas Bernhards anhand ausgewählter Dramen
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In meiner Komödie hat es am Ende vollkommen finster zu sein: Zum komischen Aspekt der Künstler- und Geniefiguren Thomas Bernhards anhand ausgewählter Dramen
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