Impressions of Theophrastus Such is a work of fiction by George Eliot, first published in 1879. It was Eliot's last published writing and her most experimental, taking the form of a series of literary essays by an imaginary minor scholar whose eccentric character is revealed through his work."Blessed is the man who, having nothing to say, abstains from giving us wordy evidence of the fact." ― George Eliot, Impressions of Theophrastus Suchtags: loquacity, remaining-silent, silence 1648 likes Like"Described by Harold Bloom as "the beginning of the end of the traditional novel of social morality" (xii), George Eliot's Middlemarch is nonetheless replete with a kind of authorial intervention that modern readers might find tiresome. Readers today are accustomed to the contemporary fictional maxim of "show, don't tell" but Eliot had different aesthetic ideas, for she always tells us right away who we are dealing with. At the beginning of Middlemarch, the character of one of its protagonists, Dorothea Brooke, is laid out. Eliot writes," ..................Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively Mary Ann or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862-63), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight.Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.Eliot's Middlemarch has been described by the novelists Martin Amis and Julian Barnes as the greatest novel in the English language.Literary assessmentThroughout her career, Eliot wrote with a politically astute pen. From Adam Bede to The Mill on the Floss and Silas Marner, Eliot presented the cases of social outsiders and small-town persecution. Felix Holt, the Radical and The Legend of Jubal were overtly political, and political crisis is at the heart of Middlemarch, in which she presents the stories of a number of inhabitants of a small English town on the eve of the Reform Bill of 1832; the novel is notable for its deep psychological insight and sophisticated character portraits. The roots of her realist philosophy can be found in her review of John Ruskin's Modern Painters in Westminster Review in 1856.Readers in the Victorian era praised her novels for their depictions of rural society. Much of the material for her prose was drawn from her own experience. She shared with Wordsworth the belief that there was much value and beauty to be found in the mundane details of ordinary country life. Eliot did not, however, confine herself to stories of the English countryside. Romola, an historical novel set in late fifteenth century Florence, was based on the life of the Italian priest Girolamo Savonarola. In The Spanish Gypsy, Eliot made a foray into verse, but her poetry's initial popularity has not endured.Working as a translator, Eliot was exposed to German texts of religious, social, and moral philosophy such as Friedrich Strauss's Life of Jesus, Feuerbach's The Essence of Christianity, and Spinoza's Ethics. Elements from these works show up in her fiction, much of which is written with her trademark sense of agnostic humanism....