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Ich!

          
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About the Book

Im Selbstportrat verkorpert sich programmatisch das Grundwesen der Moderne. Wie das christliche Altarbild im Mittelalter oder die Landschaft in der Romantik stellt das Selbstportrat das neue symbolhafte Thema in der Kunst des 20. Jahrhunderts dar. Der renommierte Kunsthistoriker Uwe M. Schneede erzahlt mit dieser ersten Uberblicksdarstellung versiert und kenntnisreich eine Geschichte der modernen Kunst am Beispiel der personlichsten aller Kunstgattungen. Autonome Selbstbildnisse sind keine Erfindung der Moderne. Sie kommen bereits in der Renaissance auf – jedoch ruckte die Gattung erst im 20. Jahrhundert in den Mittelpunkt und wurde zum zentralen Anliegen der Kunstlerinnen und Kunstler. Wahrend es zunachst bei Kunstlern wie Vincent van Gogh, Edvard Munch, Kathe Kollwitz oder Paula Modersohn-Becker vor allem um eine schonungslose Selbstanalyse ging, gerat ab 1960 der eigene Korper als Akteur in den Blick – so etwa bei Bruce Nauman, Cindy Sherman, Marina Abramovic oder Joseph Beuys. Uwe M. Schneede schildert eindrucksvoll, wie sich uber einen Zeitraum von 100 Jahren die inhaltlichen und formalen Beweggrunde immer wieder paradigmatisch verandert haben. Die erste Uberblicksdarstellung uber das Selbstportrat in der Moderne Eine andere Geschichte der modernen Kunst am Beispiel des Selbstportrats Ein Zeitraum von uber 100 Jahren: Von Vincent van Gogh bis Cindy Sherman Das Selbstbildnis als programmatisch fur die Moderne


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Product Details
  • ISBN-13: 9783406787478
  • Publisher: C. H. Beck
  • Binding: Hardcover
  • Language: German
  • Width: 809.999 mm
  • ISBN-10: 3406787479
  • Publisher Date: 6/15/2022
  • Height: 242 mm
  • Weight: 19 gr

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