Home > Dictionaries & Language > Language: reference & general > Dictionaries > Hot, Cool & Vicious. Die künstlerische Selbstrepräsentation von weiblichen Rappern im Genre Hip Hop
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Hot, Cool & Vicious. Die künstlerische Selbstrepräsentation von weiblichen Rappern im Genre Hip Hop

Hot, Cool & Vicious. Die künstlerische Selbstrepräsentation von weiblichen Rappern im Genre Hip Hop

          
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About the Book

Masterarbeit aus dem Jahr 2015 im Fachbereich Amerikanistik - Kultur und Landeskunde, Note: 1,3, Ludwig-Maximilians-Universität München (Amerika-Institut), Sprache: Deutsch, Abstract: "You could be the king but watch the queen conquer", rappte Nicki Minaj 2010 in ihrem Feature-Beitrag zu Kanye Wests Song "Monster." Noch bevor sie ihr Debütalbum "Pink Friday" veröffentlichte, erhielt sie für ihren Part in "Monster" 50.000 Dollar, was einen vergleichsweise sehr hohen Betrag darstellt. Die Künstlerin zählt mittlerweile zu den einflussreichsten weiblichen MCs aller Zeiten. Sie repräsentiert dabei das Image einer "black barbie: " Bunte Kostüme, Perücken, grelles Make-up zeigen sie als puppenähnliches Alter Ego, das in Kombination mit ihren hypersexuellen Performances die ästhetische Hierarchie des weiblichen Körpers in der kommerziellen US-amerikanischen Kultur in Frage stellt und sogar umkrempelt. Minaj treibt damit die Diskussion um die Barbie als die Verkörperung von weißer Schönheit und Perfektion auf die Spitze, indem sie dieses Image als Teil einer ethnischen Minderheit adaptiert und zeitgleich auf spielerisch-ironische Art übertreibt. Minajs neues Selbstverständnis einer afroamerikanischen Rapperin des fortschreitenden 21. Jahrhunderts wirkt sich auch aktuell noch auf die Texte vieler weiterer Künstlerinnen aus. Obwohl Hip Hop immer noch ein von Männern dominiertes musikalisches Genre ist, sind bereits seit den Anfangsjahren der Szene auch Frauen aktiv an der Gestaltung beteiligt. Mit der Etablierung von MTV im Jahre 1981 erfuhren Rapperinnen einen wachsenden Bekanntheitsgrad. Vor allem Musikvideos spielten eine wichtige Rolle für die wachsende Popularität von Hip Hop als audiovisuelle Vermittlungsform des medialen Images des Hip Hop (und damit auch der Rapperinnen). Trotzdem wurden Interpretinnen des Genres oft marginalisiert und damit die weibliche Wahrnehmung und/oder Partizipation in die Peripherie der Hip Hop Kultur geschoben. Die wenigen etablierten weiblic
About the Author: Vanessa Patrick, M.A., ist studierte Kulturwissenschaftlerin mit Schwerpunkt der nordamerikanischen Popkultur. Während ihres Studiums besuchte sie vornehmlich Seminare aus den Bereichen Film und Musik. Seit 2011 arbeitet sie beim Münchner Lokalradiosender M94.5 als Redakteurin und Moderatorin und seit 2013 in leitender Funktion im Musik-Ressort. Sie baute das Metal/Rock-Format "Magic Moshroom" aus und etablierte es in der Münchner Szene. Das lokale Hip Hop-Format "Monaco Breaks" gründete sie im Jahr 2014, das sich als Schnittstelle zwischen den Rezipienten und Produzenten der Szene versteht und das sie bis heute noch moderiert. Neben ihrer Arbeit bei afk M94.5 gibt sie Hörfunk- und TV-Seminare an der Ludwig-Maximilians-Universität München.


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Product Details
  • ISBN-13: 9783656937760
  • Publisher: Grin Verlag Gmbh
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 5 mm
  • Width: 148 mm
  • ISBN-10: 3656937761
  • Publisher Date: 10 Apr 2015
  • Height: 210 mm
  • No of Pages: 80
  • Series Title: German
  • Weight: 113 gr


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